Monday, July 12, 2010

your summer annogram

Ann-thologies
I am thrilled that my tribute to Wilfred Owen (1893-1918), “Shrapnel,” appears in Motif 2: Come What May (MotesBooks, 2010). In addition, “Beloved Corporate Retirees” will be in the upcoming Knocking at the Door (Buddhapuss Ink), “Contagion” in One for the Road (Split Oak Press) and “Express” in the Alhambra Poery Calendar 2011 (Alhambra Publishing).

Translation in Source
My translation of Hélène Sanguinetti’s poem, “Two Kernels to Start the Day,” and essay on her work appear in a special issue of Source on Women and Translation. Editor Michele McKay Aynesworth packs Source, the online journal of the literary division of the American Translators Association, with fascinating articles. Take a look!

‘Andromeda’ as invocation
I read “Andromeda at Midlife” to open the Alumnae/i Citation Ceremony at the Sarah Lawrence Reunion on June 4. Thanks to Rona Carr, president of the Alumnae/i Association, for this lovely invitation. It was an honor to be back on campus and recall that the Sarah Lawrence community always reveres poetry.

Hadad and Afzal-Khan this Thursday
Herb Hadad and Fawzi Afzal-Khan will read at the Hudson Valley Writers Center July 15 at 7:30 p.m. Hadad, author of Finding Immortality: The Making of One American Family, is a former New York Times essayist. Afzal-Khan’s memoir, Lahore with Love, explores her Pakistani childhood. $5 admission includes Middle Eastern refreshments.

Vitale feature at Montreal Festival
Montreal on Screen-Congress 2010 recently screened “Montreal Main,” Frank Vitale's classic underground feature. The film will also be explored in Queer Film Classics (Arsenal Pulp Press) which covers 21 influential 1950-2005 films about and by LGBTQ people. The remastered “Montreal Main” DVD is available here.

‘Round the Net

· Jamie Appel, for this YouTube film on the value of hugs.

· Maggie Dunne, on a State Department fellowship, for sharing more Bangladesh adventures.

· Linda Leedy Schneider for creating this Not a Muse Bowery Poetry Club reading DVD, which you can purchase for $20 by contacting brooks123@aol.com.

· Angela Virsinger, for introducing me to this journal of poetry and illustration.

· Julie Wiskirchen for this wonderful story of an inspirational pit bull.


Hope you’re getting in some great summer reading. I just finished Ulysses, spurred on by Declan Kiberd’s Ulysses and Us (Faber and Faber, 2009). All I can say is “Wow!” and “Whew!”

Wishing you classic discoveries….

Ann

Tuesday, May 11, 2010

your spring annogram

New Jumpstart web site
I welcome spring with a new web site, created by award-winning designer Lorraine Serra, for my coaching and creative communications business. Everyone wants their work lives to reflect their authentic selves, and I help professionals make that happen. I also advise executives on creative communication strategies, something I’ve been doing for more than 20 years at Fortune 10 companies. Visit the new web site to learn more!

Tribute to two greats
It gives me no pleasure to tell you about a poem in the current Autumn Leaves. The journal’s lovely editor, Sondra Ball, passed away in March. Her husband, Mario, invited submissions for a final issue. “Where Words End” recalls one of my mentors, New England Writers founder Frank Anthony (1922-2005), as well as Sondra who published his work. Here’s to you, dear Sondra and Frank!

Offbeats reunite
Back in the day, Jay Shulman made Scarsdale High girls swoon when he sang “Gloria.” On May 1, Jay (second from right) was at it again—when his band, the Offbeats, reunited for a Scarsdale Teen Center benefit at Vintage Café in White Plains. Original guitarist John Moses (far right) joined rhythm guitarist Michael Cefola (red guitar), bass player Larry Schwartzman (second from left), drummer Teddy Spencer (in back), and blues harp wailer/vocalist Thom Pernice (far left) for a return engagement hosted by the Peak’s Jimmy Fink. The benefit raised the most funds ever for the Teen Center.

Unicorn Writers Conference
What a pleasure to be the featured poet at the inaugural Unicorn Writers Conference! Literary agent Jan Kardys and professional writer Maureen Amaturo put together an impressive range of workshops at the beautiful Oronoque Country Club in Stratford, CT. My poetry workshop drew talented writers of all ages who pulled out amazing poetic abilities in our brief time together. I was thrilled to have this wonderful experience.

Poetry Translation Workshop
Thanks to Beth Gersh-Nesic for inviting me to give a Contemporary Poetry Translation Workshop at Manhattanville College. The seminar last month was part of a French translation course. How many schools give a course in translation like that? Brava to French chair and assistant professor Binita Mehta for this progressive curriculum. I had a great time with an international group of students savvy to the subtleties of language.

Hadad book party
Greenburgh Cultural Arts Director Sarah Bracey White knows how to put on a party, and that’s what she did recently for Herb Hadad to celebrate his short story collection, Finding Immortality (iUniverse, 2010). In one selection, Herb recalled a college course on Thoreau, where the professor insisted the writer’s name be pronounced “thorough.” When Herb dozed in class, the professor thundered, “Did you read the text?” Herb woke up to say, “Thoreau-ly.” And that’s why we love Herb….

Women in the world economy
New York Times writer Nicholas Kristof and journalist Sheryl WuDunn spoke at Scarsdale High School to celebrate the school system’s 225th anniversary. This Pulitzer Prize-winning couple gave inspiring examples of women worldwide who overcome odds to prosper themselves, their families and villages through ingenuity and hard work. More can be found in their book, Half the Sky (Vintage, 2010).

Racoco at Mary Anthony Studio
One pleasure of my 2007 Santa Fe Art Institute residency was meeting Rachel Cohen, director of Racoco, a New York Times-profiled performance group. Racoco's "I-Fold" will be performed to Telemann's Sonata in F Minor this Friday and Saturday at 8 pm, and Sunday at 3 pm, at the Mary Anthony Dance Studio. The piece features Rachel Cohen, Rebecca Ketchum, Kelly Kocinski and Erin Posanti. For reservations, call 212-674-8191.

Celebrating African American experience
Hear poet-artist Nikki Williams read at the opening reception for her exhibit, “Beautiful, Also, Are the Souls of My People” on May 16 at 3:30 pm at the Madeline Gutman Gallery at Greenburgh Town Hall, 177 Hillside Avenue Greenburgh, NY. Call 914-682-1574 for more info. Her exhibit of photography-poetry collages, celebrating the beauty and resilience of the African American experience, runs through July 7.

Port Chester Fest
The Port Chester Poetry Fest will take place at Copacabana, 29 N. Main Street, Port Chester, on May 22, 3 pm – 7 pm. The fest features multicultural artists and high school poets. If you love poetry, make a tax-deductible contribution payable to Council of Community Services (indicate on check that donation is for “Poetry Reading”) and send to P.O. Box 322, Port Chester, NY 10573. Many thanks!

Emily Dickinson in the Bronx
In an exhibit entitled, “Emily Dickinson’s Garden: The Poetry of Flowers,” The New York Botanical Garden has recreated a Victorian homestead and flowers that would have been most likely grown by the famous poet (1830-1886). The exhibit, which runs through June 13, features readings and a ballet this upcoming weekend. Tickets $20.

Walk Across Brooklyn Bridge
Poet’s House Walk Across Brooklyn Bridge is June 14 at 6:30 p.m. Poets Tina Chang, Galway Kinnell and Thomas Lux will read Walt Whitman, Marianne Moore, Langston Hughes and others beneath Roebling's famous arches, followed by dinner in Brooklyn. Tickets $250 (Poets House Members $225). Reservations required: call 212-431-7920, ext. 2830, or e-mail krista@poetshouse.org.

‘Round the Net

Thanks to the people below for sending me these fascinating links:

· Maureen Amaturo for this story about the quest for a day to honor dead poets

· Lucy Barber for this sweet story of a woman and her beloved wheels

· Julie Renszer for her new poetry book, Handmade Love (A Midsummer Night’s Press, 2010)

· Linda Simone for video of her poem “Grapefruit” in Alimentum and this New York Times article on machine translation

· Russell Valentino for this intriguing translation project.


Spring means intense creativity—both for the earth and for artists. Hope your muse is blooming!

Until next time,
Ann

Tuesday, March 02, 2010

your snowy annogram

The Year of the Tiger is off to a roaring start: My work will appear in two anthologies, Motif: Chance and the unlikely breast-themed Wait a Minute, I Have to Take Off My Bra. In addition, Hélène Sanguinetti, the French writer I translate, is the first international poet featured in Presa. The editor writes: “Recognized in her native France, Hélène is an innovative experimental poet [who] incorporates a wide range of elements in her poems, such as dialogue, shifting personae and visual field.” This power-packed Presa also features Eric Greinke’s astute essay, “The Potential of Poetry,” a must-read for poets everywhere.

Clapton and Beck at the Garden
What a pleasure to see two top guitarists play together! Jeff Beck, backed by a 12-piece orchestra, opened the first set. Looking buff in a white sleeveless shirt and black vest, Beck played with usual intensity, with bass player Rhonda Smith, and drummer Vinnie Colauita and keyboardist Jason Rebello. He performed his Grammy-winning version of the Beatles’ “A Day in the Life” and other classically-bent songs from his new CD “Emotion and Commotion” (Atco). Beck’s gift, bending notes so that the guitar sounds like a haunting vocal, was most apparent in the Beatles’ song.

While Clapton is not god, hearing him is still a transcendent experience: Starting with acoustic Delta blues, he worked his way to Derek and the Dominos standards such as “Tell the Truth”; and then signatures “I Shot the Sheriff” and “Cocaine.” Third set brought both guitarists together—in suit jacket and glasses, Clapton looked like the professor next to punky Beck. Both electrified the Garden with “Moneymaker,” an emotive “Moon River,” Cream’s “Outside Woman Blues” and Muddy Water’s “Little Brown Bird.” A historic night—for more on this pioneering duo, see the current Rolling Stone cover story.

Hadad and Johnson celebrate new books
On Saturday, March 6, at 2 p.m., Greenburgh Arts and Culture will present Herbert Hadad, author of Finding Immortality: The Making of One American Family (iUniverse, NY and Bloomington) and Marilyn Johnson, author of This Book is Overdue: How Librarians and Cybrarians Can Save Us All (Harper). Hadad is a superb, award-winning writer and Johnson an equally excellent raconteur. Free at the Greenburgh Library, 320 Tarrytown Road, in Elmsford. And save Sunday, March 21, 2-4 p.m., for NYFA award-winning poets E.J. Antonio and LaTasha Nevada Diggs at Greenburgh Town Hall.

Kristof and WuDunn on Half the Sky
New York Times editorial writer Nicholas Kristof and journalist Sheryl WuDunn believe women are the secret to the prosperity and stability of the global economy. Come hear the husband-and-wife team discuss their new book, Half the Sky, at Scarsdale High School, White Plains Post Road, in Scarsdale, on March 2 at 7:30 p.m. This free event, sponsored by the Independence Institute, the Scarsdale Teachers Institute and the Scarsdale Middle and High School PTAs, celebrates 225th anniversary of the Scarsdale Schools and its dedication to preparing students for an interdependent world.

Amazing Maggie (or how to get things Dunne)
Nicholas Kristof recently held a YouTube contest for college kids asking them why one should accompany him to visit a developing country. Maggie Dunne, family friend and Colgate University student, challenged Kristof to do something else first. Maggie founded the Lakota Pine Ridge Children’s Enrichment Project, an annual clothing and book drive for children on the Pine Ridge Reservation. She has since interned with a bank in Southeast Asia that specializes in microloans to poor people. IMHO, Maggie’s a winner no matter who wins the YouTube contest!

Unicorn Writers Conference
I’m honored to give the poetry workshop at the Unicorn Writers Conference on Saturday, April 10, at the Oronoque Country Club in Stratford, Connecticut. Organizers promise “a writers’ conference like no other!” The day includes opportunities to receive feedback from publishing insiders on manuscripts, attend one or more of seven craft workshops, and get insights into the business of books—from contracts and cover art to media, marketing and promotion. Gene Wilder, actor and writer, is the keynote; and a dinner dance with live music will wrap up the day. Sounds wonderful. Hope to see you there!

French Film Festival
See the last in this free film series, “Un secret” (Claude Miller), on March 7, 7:00-10:00 p.m. in Room 8, Brownson Hall, at Manhattanville College. Q&A session to follow. For further info, e-mail mehtab@mville.edu, or call 914.323.5407.

Alexander and Theroux to read
Pulitzer Prize Finalist Poet Elizabeth Alexander will read at Manhattanville College on March 2nd at 7p.m and author Phyllis Theroux on April 13th 9 at 7:00 p.m. Each program includes a reception, Q&A and book signing. The free readings will be held at Manhattanville College’s Reid Castle, 2900 Purchase Street, Purchase NY. Reserve a seat by calling 914 323-5239 or e-mailing sirabiank@mville.edu.

Sosin and Seaton’s not-so-silent films
Pianist Donald Sosin and vocalist Joanna Seaton will perform at the Tarrytown Music Hall: March 21, 6 p.m., “Nosferatu” (Murnau); March 24, 7:30 p.m., “The Last Laugh” (Murnau); April 18, 6 p.m., “The Adventures of Prince Achmed” (Reiniger); and April 21, 7:30 p.m., “Pandora’s Box” (Pabst). Donald will also perform April 9, 9:15 a.m., at the Orphan Film Symposium at the School of Visual Arts: “Origin of Beethoven’s Moonlight Sonata” (Edison, 1909); “Rip’s Dream” (Georges Méliès, 1905), “A Poet from the Sea” (China Sun Motion Picture Co. 1927); at the Brooklyn Academy of Music on April 14, 7 p.m.: “Nana” (Jean Renoir); and Walter Reade Theater, Lincoln Center: April 18, 1 p.m., “The Prisoner of Karlsten’s Fortress” (Georg af Klercker, 1916), and April 24 at 1:30 p.m., “Thomas Graal’s Best Film” (Mauritz Stiller, 1917). FIN

‘Round the Net
Thanks to the following people who sent me these great links:

· ALTA list-serve for this Reading the World podcast with Lawrence Venuti discussing his translations from Catalan

· Beth Gersh-Nesic for the Vassar Haiti Project

· Janelle Elyse Kihlstrom for Melusine’s winter issue

· Cesar Milan for this memorial page for Daddy the pitbull who passed away February 19

· Dusty Sackett for this fascinating video palindrome on YouTube

· Linda Schneider for editing Mentor’s Bouquet, work by writers she has mentored

· Linda Simone for the lovely journal Assisi with her page one poem, “Stunning with St. Francis in the Garden”

· Linda Simone for Terry Dugan reading her poems “Body Fluids” and “Holiday Cheer” and Sarah Bracey White discussing her work at Greenburgh Arts & Culture

· Julie Wisckirchen for her new blog

I will end with this Clapton quote: “I’ve always believed that if I’m true to that part of my consciousness that is the music, I’ll be all right.” Amen.

Until next time,
Ann

Friday, January 01, 2010

your new year annogram

Happy new year everyone! I am gratified to share my poem “Invention” at Shaking Like a Mountain and see two chapters of my translation of Hélène Sanguinetti’s Le Héros (Flammarion, 2009) appear in The Dirty Goat 21.

Ann at Cornelia Street Café
Thanks to Jackie Sheeler, indomitable host of the Son of a Pony Reading Series, for inviting me to perform Halloween eve. I read from Sugaring (Dancing Girl Press) as well as new work. Always an honor to read at this fun and intimate poetry landmark. My gratitude to those friends who traveled a distance to be there and celebrate the evening.

Herbert Hadad debuts book
Award-winning essayist Herbert Hadad announces the release of his book, Finding Immortality: The Making of One American Family. “These gritty and flavorful essays,” says Pulitzer Prize winner Lawrence Wright, “address the emotional costs of virtue, faith, and true love.” Novelist Ben Cheever calls them “stories [that] will clear the mind and warm the heart.” For Herb’s former students, this is an amazing opportunity to learn more from the master. Congratulations, Herb!

Nagging questions about modern art
Does modern art perplex you at times? Beth Gersh-Nesic, the official modern art expert for about.com, invites your questions: “If you want to know about an artist, art term, art venue, art historian, or art movement, chances are many other people would like to know too. If you see an art term you do not understand, please send it to me and I will see if it is in the About.com: Art History glossary.” What a great opportunity! Thank you, Beth!

Achievement award to Jim Barry
The St. Francis College/University of New England recently awarded Jim Barry its Outstanding Alumni Achievement Award. Jim, a long-time advocate for the rights of people with disabilities, helped develop the ADA legislation, testified at related Congressional subcommittee hearings and participated in the White House ADA signing ceremonies in July 1990. I’ve been fortunate to work with Jim, also one of the nicest people on the planet. Congratulations, Jim!


Stand-out gifts
The close of the holidays demands a roll call of my favorite vendors: Clean Ridge Soap, which affords luxurious scents, soaps and lotions at reasonable prices (see left); D & D Accessories (914-330-2122), purveyors of outrageously unique scarves and shawls; Vermont Hardwood Pens, which offers a free pen if you order more than two dozen; Chatham Candy Manor, which whips up Cape Cod’s best homemade chocolates; Sharon, a jewelery designer who combines your favorite quote and artwork in a beautiful pendant; and Loretta Fay (RETFAY@aol.com) who makes gorgeous, durable purses from upholstery fabric you select—and affixes your most cherished saying inside.

’Round the Net
Thanks to the following people for these links:

· Patricia Carragon for the Brownstone Poets Reading, including Peter Chelnik, on Columbia University’s WKCR.

· Dalkey Archive Press for college fellowships for an online applied translation program.

· Myrna Goodman for her contribution to the anthology Love After 70 (Wising Up Press).

· Herbert Hadad for the 100 best movie quotes.

· Janelle Elyse Kihlstrom for the latest issue of Melusine.

· Linda Simone for the Thousand Kites program, which produces audio poetry programs for prisoners.

· Jackie Sheeler for Blog Talk Radio, where she read her work December 22.

· Neal Spitzer for his new web site

· Russell Valentino for this talk on why translation matters.

· Angela Virsinger for this hypnotic Chinese video.


Ode to a dog
I end with a heart-wrenching au revoir to Delilah who passed away Thanksgiving and figures predominantly in my poems. As animal lovers know, she transformed our lives—from watching for us at the picture window to greeting us with a Kong in her mouth to contain her excitement. A true adventure girl—game for anything from a car ride to a good run on a dirt road; also a yogini, showing me a superior downward dog, and a guru whose joy and gratitude ably handled whatever life brought. If you’d like to make a donation in her memory, consider the Elmsford Animal Shelter where we adopted her.

Until next time,
Ann


Saturday, October 24, 2009

your october annogram

Cornelia Street Café this Friday
Come hear me read this Friday at the Cornelia Street Café! I am delighted to be featured at Jackie Sheeler’s Son of Pony Series at 7 p.m. If you’d like to read in the Open Mic before/after my reading, come at 5:45 p.m. to sign up. Cornelia Street Café is the quintessential New York poetry venue—so come and enjoy! Seven-dollar entrance fee includes a house drink.

Not a Muse Poets at Bowery Poetry Club
What a pleasure to read at the famed Bowery Poetry Club for the U.S. launch of the Not A Muse (Haven Books, 2009) global anthology! NAM Poet and BPC host Cristin O'Keefe Aptowicz hosted the September 26 event organized by Linda Leedy Schneider. In addition to Cristin and Linda, we heard fabulous and wry poetry from Kate Bernadette Benedict, Adele Geraghty, Jennifer Karmin, Sarah Stapperfenne, and Jeanann Verlee.

Alhambra Poetry Calendar 2010
My poem, “Andromeda at Midlife,” appears in next year’s Alhambra Poetry Calendar now available. Thanks to editor Shafiq Naz for selecting another poem of mine. I had to laugh at the alphabetical listing—to see Mr. Chaucer’s name after mine! Aye! More than a calendar, the Alhambra anthologies span a diversity of poetic styles and eras. They make unique gifts, are paginated to last three years and available in French, German, Italian and Spanish versions.

Michael Cefola at Prairie Fire
Blues guitarist Michael Cefola, my talented husband (center), played a selection of Delta Blues tunes with bassist Larry Schwartzman (right) and saxophonist Bob Feldman (left) at the October 11 Prairie Fire Poetry / Jazz event. Michael ignited the “Prairie Fire” with his harmonica and slide guitar on classics such as “I’m a Man” by Bo Diddley and “Ramblin’ on My Mind” by Robert Johnson. Thanks to Peter Chelnik for hosting Prairie Fire every second Sunday at the American Theater of Actors.

Poetry of war and peace
Award-winning poet Terry Dugan will read her provocative work at the WESPAC Poetry Café on Friday, November 6—joined by Palestinian-American poet Remi Kanazi and Colombian poet Catalina Restrepo. Donation of $10 requested. Terry and a dozen other poets will also read at the Hudson Valley Writers' Center Poets on War and Peace on Friday, November 13.

New from Kevin Pilkington
Poet Kevin Pilkington has a new book out, In the Eyes of a Dog (NewYork Quarterly Books, 2009). Kevin’s work has won many distinctions, including the La Jolla Poets Press National Book Award and the Ledge Poetry Prize. A four-time Pushcart Prize nominee, he is a member of the full-time writing faculty at Sarah Lawrence and teaches a workshop in the graduate program at Manhattanville.

Greenburgh’s fascinating art events
CBS Radio news anchor Nick Young will exhibit his drawings in the Greenburgh Town Hall November 1 – December 31. Come for a free gallery reception on Sunday, November 1, 1-3 p.m. A week later, same location, photographer Tina L. Singleton will discuss her experiences working for international women’s rights in Afghanistan on November 8, 2-4 p.m.—the talk and following reception are free.

The River Trio at North Castle Public Library
Long Island Philharmonic cellist Jay Shulman, flutist Pamela Sklar and violinist Linda Finegan Lott will perform chamber music of the baroque and classical eras on Sunday, November 15, at 3:00 p.m. You can also see Jay perform at the next Prairie Fire Poetry/Jazz event (see above) on November 8 at 5 p.m.

’Round the Net
· My nephew Dan Gregory, award-winning writer and host of a radio program Thursdays 3-5 pm. from the University of Connecticut.

· Guitarist John Moses for his new album, Riptide, available on CD Baby.

· Artist Maritza Rivera, met in a chance encounter at Café Reggio in the village.

· Francophile and poetry lover Susan Seligman for this New York Times article on the new Poets House.

· Filmmaker Frank Vitale, for his beautiful new documentary on the Garnerville Art and Industrial Complex.


Wishing you a rich and beautiful fall, and a Happy Halloween!

Ann

Saturday, September 19, 2009

your september annogram

What I love about fall is the infusion of poetry events—come see me read at the Bowery Poetry Club this coming Saturday, September 26, at 2 p.m. with poets from the anthology, Not a Muse (Haven Books, 2009). Mark your calendar also for October 30 at 6 p.m.—when I’ll be the featured poet at Jackie Sheeler’s Son of Pony Series at the Cornelia Street Café.

Attention Francophiles: Portrait of LA in 26 Letters
Poet Guy Bennett and biographer Béatrice Mousli have created “ABC LA: Portrait of a City” to air Sunday, September 27, at 2 p.m. L.A. Time on France Culture. Check France Culture for NYC times; or to listen to or podcast ABC L.A. the week following the broadcast.

Mindmade Books’ latest entry
Guy also recommends Sticks by Stephanie Rioux, part of Mindmade Books’ 2009 series, which includes work by Dawn Michelle Baude, David Lloyd, and Raymond Queneau. He calls Rioux’s poems “lyrical snippets ranging in length from one word to four slim lines, form a suggestive, open-ended text that reduces the world and its quotidian splendor to bits and pieces.” Purchase it and other titles at Mindmade Books.

Let the Poets Speak
A reception celebrating winners and finalists in the Town of Greenburgh’s 2009 Poetry Contest will take place Sunday, October 4, 2-4 p.m. at the Greenburgh Town Hall. The poets, whose work will appear in the 2009 Let the Poets Speak anthology, will read at 2:30 p.m. The public is invited to attend this free event.

Toadlily debuts new book
Come hear Diana Alvarez, Emily Carr, Matthew Nienow and Diana Woodcock debut their poetry from By Way Of, Toadlily Press’s fifth quartet of poetry, at the Katonah Museum of Art, Sunday, October 4, 6 p.m. The book-signing will also feature refreshments by Susan Lawrence Catering, Inc.

Doty and Olds readings
My former poetry teacher, Mark Doty, will give a reading Tuesday, October 6, 7 p.m., at Manhattanville College’s Reid Castle, in Purchase, NY; and Sharon Olds will read next door at Purchase College, October 19, 7 p.m., at the Performing Arts Center. Both events are free.

Ekphrastic Poetry Workshops
Season Two of Greenburgh’s Learning to See Poetry Workshops will start October 1 at the Greenburgh Public Library. Call 914-682-1574 or e-mail bracey0114@aol.com for more information and a complete workshop schedule.

Aaron Copland’s Merestead Estate
Aaron Copland's former Westchester home, a national historic landmark, is now a new creative center for American music. Its goals: to encourage new music through composer residencies, performances by its resident ensemble, and educational activities to foster interest in classical music. Learn more in this Wall Street Journal article or plan to attend the center’s gala at The Four Seasons, Sunday, October 18, with spectacular food and music of Leonard Bernstein, George Gershwin, John Musto and Derek Bermel.

Re-mastered “Montreal Main”
Congratulations to filmmaker Frank Vitale whose movie, “Montreal Main,” is being released in a digitally re-mastered DVD by Sanya Home Entertainment which can be ordered here. See the SkyKid review and interview with Frank, or review excerpts from top journals, museums and film festivals.

Astronaut Alan Bean at Stellafane
Every summer, star-gazers gather on a hilltop in the birthplace of amateur astronomy—Springfield, Vermont. To celebrate this year’s 40th anniversary of the first moon landing, Stellafane organizers invited Alan Bean, Apollo 12 astronaut and fourth person to walk on the moon, to address a full outdoor amphitheater. Bean vividly described his pioneering journey, from the extreme liftoff impact to walking on the moon. Back on earth, he was a changed man—appreciating the Pacific’s rolling blue waves and our planet’s unique pleasures—from unexpected thunderstorms to waiting on line at the post office. Compared to the moon’s stark isolation, he says, earth is “a paradise.” Bean now paints beautiful canvases of his moon experience as an artistic archive.

Baba-à-Louis Bakery
If you take a leisurely drive up I-91 to see fall foliage, be sure to stop by the Baba-à-Louis Bakery in Chester, Vermont. Surrounded by wildflowers, the bakery looks like a place where you’d worship bread—with dramatic skylights and high pine cathedral ceilings. The delicious café uses the locally famous Baba-à-Louis bread for breakfast and lunch—and all fresh Vermont vegetables and dairy products. John McLure, owner and baker (at left/right), makes mean spinach turnovers and whole-grain gourmet pizzas (see photos on my blog) Friday afternoons. Our favs: the cheddar-pepper bread, homemade granola, irresistible sweet rolls loaded with pecans or John’s generous recipe book where he shares his secrets.

'Round the Net
I am grateful to the following people for these cool links:

· Michael Cefola for this real-time rebroadcast of Apollo 11 air-to-ground transmissions.

· Writer Peggy Harrington for her essay, “What Photographs Tell,” in The East Hampton Star.

· Poet Mary Ladd for interesting stats on worldwide Internet usage.

· Poet Suzanne Gardinier’s for entry #7 in her video series “America the Beautiful.”

· Artist Angela Virsinger for this artwork for writers:

· Poet E.J. Antonio, for her great news that she is a 2009 fellow in Poetry from the New York Foundation for the Arts.

Hope to see you soon at a poetry reading!

Ann

Tuesday, July 28, 2009

creativity interview, part 2

Frank Vitale, a filmmaker who attended my Creativity Workshop, is diving in for part two of our conversation on the same topic.

Frank: Ann, you’ve given us permission to play unencumbered. I imagine a child finger painting. But I want to create something professional to communicate with other people. How do I get from here to there?

Ann: Your challenge as an artist is to access that child-space where you can have fun, create new worlds and—as you say—get your hands messy. Once you have exhausted yourself that way, you need to back off from the work. Even the subconscious—the inner child—needs a break, nap time, milk and cookies, whatever!

Once you’ve guided that child, whom I call the Wunderkind, out of the room, it’s time to invite in the Editor. The Editor loves to create order out of chaos. The Editor will sort, select, try out, rearrange. More adult than the Wunderkind, the Editor is also playful and daring: like a teenager with some knowledge and the adrenaline to try something new.

Frank: I’m glad that I can still play. I thought the Editor was going to be a taskmaster and I’d have to be clear-headed and detached. I’m not sure I am capable of that.

What does the Editor look like at work?

Ann: When you get tired after sustained creative activity or don’t know what to do next, that’s time to call in the Editor. You may have a longing for order—to rearrange dishes, sort through clothes, or clear the basement. Those transition activities can help summon your Editor. They create time and space for a shift to occur in both your brain and environment.

There’s a definite shift. To create a manuscript, I may spread poems on the floor. My Editor will quickly select and group them, put them together and pull them apart. It feels fun and intuitional—I have no idea where my Editor is leading. Days later, I may move several poems. My Editor is fine-tuning. I trust her completely.

Another way to invoke the Editor is before sleep. I can think, “I need help editing this poem.” It’s like placing an order: I go to sleep while my Editor turns on the lamplight and gets to work. The next day there may be some new ideas.

What would you ask your Editor for help with?

Frank: I want to know if my work makes sense, communicates, engages – in short, is it any good?

Ann: You would ask, “Is there anything I need to do to improve the film?” You might live with that question for a week. Step away from the creative churning for a while.

Frank: I am curious how your Editor interrelates with other Editors—in workshops, writers groups and with writer-friends?

Ann: My Wunderkind loves workshops and sharing work with others. She enjoys seeing what other people are doing. She finds inspiration and challenge among other artists.

Editing, however, is a solo practice. If a document is circulated, edits input by each person require quiet and focus. In graduate workshops, when 15 Editors suggested edits, I never knew which had the most merit; many were contradictory. My Editor felt overloaded and overwhelmed.

Teachers encouraged us to find two or three people we could turn to over a literary lifetime. Integrity is crucial here: Editors who constantly applaud work are useless. Similarly, Editors who do not understand the poet’s intent offer no value. I am blessed to know two award-winning poets whose Editors love to work with my Editor. We know we are there to support, challenge and promote one another’s work.

Frank: I learned something about giving feedback from my film class. For the first five years I taught it, I critiqued students’ one-page scripts. One semester, I got two scripts, one well written and the other—an incoherent script.

While the good writer made a so-so film, the incoherent writer created a spectacular one. I realized their scripts could not wholly convey their ideas; furthermore, my criticism could have been destructive. For 25 years now, I haven’t critiqued student scripts. I find what is good in them and bring that to students’ attention. This unconditional love works wonders—their film quality is much better.

Ann: Your story illustrates the interplay between the Wunderkind and the Editor beautifully. That student with the tidy script allowed her Editor to participate in her project too soon. Sure, she could hand in a great script—but the Editor’s continued presence created a less than adventuresome project.

The second student, with the crazy script, allowed her Wunderkind to be in control—its incoherence shows that a preverbal Wunderkind was guiding her project! That audaciousness and playfulness continued into the film.
Here’s the lesson: The Wunderkind and Editor cannot be in the room at the same time. The Wunderkind thrives on creative chaos and the Editor on patterns and order. If the Wunderkind is playing, the Editor will say, “What on earth are you doing? Here, let’s clean this up now!” And the Wunderkind looks around meekly and shrugs, “Okay.” Editors by nature are authoritative and that’s intimidating to the Wunderkind.

I once coached a man who could not get started writing his manuscript. I explained that his Editor was in the room. “What will you say to your Editor to make him leave?” I asked. He thought and said, “’I value you and will need you later. Right now, I am asking you to leave.’” After that, his manuscript poured out in a matter of months.

It takes 10 years for the Editor to learn his or her chosen craft. And, once we learn those rules, we can break them. That’s the Editor’s choice too. That’s why the Editor can end up being just as playful as the Wunderkind—but in a more adult, conscious, deliberate way.

What does the Wunderkind feel like to you? Your Editor? When do you know they are battling?

Frank: My Wunderkind is fear. When I explore a project, I feel it’s good it if it scares me. For my last documentary, “A Perfect Stranger,” I would go to Starbucks or Washington Square Park, find someone that interested me based on their appearance, then ask if I could do an in-depth profile on them.

Approaching strangers is scary. So is pushing them to reveal who they are. I paralleled the idea with an attempt to find out who I am. Now that’s really scary! (see the doc) I like walking on the edge. To me, art is on the edge.

Ann: Georgia O’Keeffe spoke about walking a knife’s edge, knowing she will probably fall off, but being compelled to do so anyway. If you think about it, a kid would never have any problem walking up to a stranger and saying, “I want to make a movie about you.”

When the Editor is in charge, make sure the Wunderkind doesn’t sneak back in. The Editor needs solitude. If a novelist is putting final touches on a book, the Wunderkind might say, “Let’s have aliens land in Chapter 3,” or “Why can’t the main character live happily ever after instead of dying?” Sometimes there can be valuable insights but mostly it’s an attempt to derail completion.

In the final moments of completing a project, stay tuned with that energy that brought you to this point. Say, “I still don’t know where this is going, but I trust the outcome.” If you are picturing reviews, visualizing the audience, take a break. Do what you need to do to get back in your zone—whether saying a prayer, doing a little writing, or going somewhere for a walk. Art is a spiritual practice and any background noise needs to be addressed.

Frank: That is really useful and I know it will be to others as well.

Thank you, Ann. This has been great. I look forward to the final character in your triumvirate, the Advocator.

Ann: My pleasure, Frank! Next time we’ll talk about getting our work out in the world.

Thursday, July 23, 2009

your philly freedom annogram

Galileo at the Franklin Institute
With a few Westchester Amateur Astronomers, we made a pilgrimage to see Galileo’s hand-crafted telescope at the Franklin Institute in Philadelphia. We looked through the telescope—first time out of Italy—as the great scientist did. “Galileo, the Medici and the Age of Astronomy” included intricately carved brass astrolabes, compasses and replicas of Galileo’s observation notebooks and personal correspondence. Galileo (1564-1642) was first to discover craters on the moon, moons of Jupiter, phases of Venus similar to our moon—proving the sun, not the earth, is the center of our universe.

And Star Trek too
We also viewed the Star Trek:The Exhibition, substantially less exciting than Galileo. Of some interest—Star Trek: The Next Generation costumes worn by Picard, Worf, Guinan and Counselor Troi; a cast head of Data; and USS Enterprise model used in the original series. Much more exciting was the 60,000-ton steam engine at the Franklin which offers a ride a few yards, and the lobby’s laser tribute to and towering statue of Ben Franklin.

Philly’s Historic District
Led by our friend Bill Newell, and driven by our pals Angela and Mike Virsinger, we enjoyed touring Philadelphia’s Historic District. This meant sitting in George Washington’s pew in Christ Church, the first Episcopal Church; driving past Independence Hall, the Arch Street Quaker Meeting House and the residence of Dr. Physick, the first American surgeon; visiting the charming Elfreth’s Alley—the oldest continuously inhabited homes in the United States; throwing pennies on Ben Franklin’s grave, as custom dictates; touring the Betsy Ross (1752-1836) house—where she made flags and musket bullets for Washington, outlived three husbands and had seven kids.

Good eats
In the great Philly cheese steak eat-off, our meat connoisseurs proclaimed Pat’s King of Steaks victor over Geno’s Steaks next door. At the Reading Terminal Market, we went to Delilah's at the Terminal, whose mac n' cheese Oprah selected as the best in America; my husband Michael, Bill Newell and I agreed it was delicious. I made a beeline to Bassetts Ice Cream, the oldest purveyor in the country—so good, we ended up going there twice. If you remember being able to actually chew cold ice cream, then you will know what Bassetts is like. Oh vanilla, to thee I sing!


The Female Sower
Loretta Fay noticed women on the train sometimes pull out a piece of paper with a quote—perhaps scripture, perhaps poetry—for encouragement. That observation led to The Female Sower, Loretta’s custom purse business. After a career in textiles, Loretta offers women more than 20 fabrics to design their own purse. Inside, she affixes a printed message of the woman’s choice. Made of durable upholstery fabric, these hand- and shoulder bags can be spot-cleaned and their linings are breathtakingly beautiful. When I saw them in person, I was amazed by the quality. To express your individuality, create a personalized purse for someone special, or give a gift certificate, e-mail Loretta at



Chappaqua Rocks
An unexpected summer pleasure was the free Friday concert by Chappaqua Rocks—a genuine“school of rock.” Each group had their own band name and performed recognizable songs—from “Pinball Wizard” by the Who to “God Save the Queen” by the Sex Pistols. Pint-sized kids were wind-milling with the best of ‘em—and instructors on-stage helped with the beat and lyrics. Fourteen-year-old Evan Schwartzman (at right) expertly played drums, bass guitar and later sang the rap song “Sugar” by Serj Tankin. See last summer shows this and next Friday, 4:30 p.m. at the Music Conservatory of Westchester.

MYGRAIN at the Bitter End
How many grown-ups wish they could play the Bitter End? Success comes early for some—including MYGRAIN, a band of Chappaqua Rocks students who recently rocked the Bitter End: Dante Palmenteri on vocals (on left above), Evan Schwartzman on bass and background vocals (on left, center), Karel Ullner on rhythm guitar (on left, at far right), David Batten Lead Guitar, Cole Parham on drums and Julian Fernandez on keyboards.

Gigi and the Lend-Me-A-Hand Band in Peekskill
Fresh from headlining July 4th in Philly, Gigi and her band opened the Peekskill Waterfront Festival this week to a huge outdoor audience. Joey Elluzzi, son of Gigi drummer Guy Elluzzi and action leader Patty Elluzzi, made an awesome debut on the trombone. Lead guitarist Michael Cefola and bass player Larry Schwartzman, Gigi’s spouse, go back to Joey's age as friends! And Gigi’s mom, Granny Franny, is always a star in her own right on keyboards and vocals. Playing a mean sax is long-time friend Paul Rutkowski, who gives the band that New Orleans spice. Everyone loves the Gigi band—especially Maria, who's holding a Gigi CD giveaway on her moms blog, Maria’s Space.

Fear—does it hurt or help artists?
Find out in part 2 of my conversation with filmmaker Frank Vitale. Frank and I just completed another eye-opening discussion on the creative process. Sure you’ve got talent—but does it control you or do you control it? Look for this interview in your inbox.

‘Round the Net
As usual, I am grateful for intriguing links sent by:

· Ann-Marie Cutul at the Scarsdale Library for this literary traveler link.

· Lucy Barber, extraordinarily talented painter—praised by The New York Times—whose paintings can be now seen on her blog.

· Elaine Gregory, my sister-in-law, for this amazing video by Highland sheepherders.

· Viki Holmes and Kate Rogers, for the Not a Muse Anthology Facebook page and announcing the Haven Books booth this week at the Hong Kong Book Fair.

· Katharine McCollum, my cousin, for this great interview with Oklahoma’s poet laureate, poet/translator Jim Barnes.

· Linda Simone, award-winning poet, for this talk by Elizabeth Gilbert (Eat, Pray, Love) on creativity.

· Meredith Trede, Toadlily publisher and poet, for the new revamped Toadlily site.


Wishing you summer pleasures,
Ann