March Madness
Wow, did you see Georgetown win yesterday in overtime? That was magical. The Georgetown mascot is a bulldog named Jack, so we say, “Go Jack!” If anyone has seen Jack on TV or elsewhere in recent years, please let me know. This month’s short newsletter is—like March—a little mad too.
http://traditions.georgetown.edu/jack/
Winning Writers
The web site http://www.winningwriters.com/ is a useful tool for poets and writers interested in pursuing contests. The monthly newsletter provides latest grant and contest opportunities, and acknowledges those writers who win. In the February newsletter, editor Adam Cohen published “At the Library,” from my chapbook Sugaring (Dancing Girl Press). Scroll down to “Featured Poems from Our Subscribers.”
http://www.winningwriters.com/newsletter/public/2007/nl_public_0703sup.htm?PHPSESSID=c97f21b0090ecc1db7db032e07556934
Bronxville reading launches
On March 5, Siwanoy Country Club in Bronxville hosted poet Linda Simone, who read from her best-selling chapbook, Cow Tippers (Shadowbox Press, 2006); Lisa Pierce, Greenwillow Press editor who shared her poems; and Cynthia Beglin, who read from novel-in-progress. Delicious appetizers and a guitar interval by Madora Kibbe made for a wonderful evening. Immaculee Ilibagiza, Rwanda survivor and author of Left To Tell: Discovering God Amidst the Rwandan Holocaust (Hay House, 2005) closed the night with a harrowing passage about hiding in her pastor’s house to escape the killing squads.
Meetings of the Mind Reading Series in Chappaqua
William Zinsser, author of the classic On Writing Well (Collins, 2006), will talk about “Where I Write” and read work-in-progress at the Chappaqua Friends Meeting, 420 Quaker Road, on March 29 at 7:30 p.m. Zinsser will explore where writers write and the importance—and impact—of “place.” The series continues April 26, when Nahid Rachlin will speak about her memoir, Persian Girls, and on May 10, when New York Times columnist Lisa Belkin will discuss Mother’s Day.
http://www.amazon.com/Writing-Well-30th-Anniversary-Nonfiction/dp/0060891548/ref=pd_bbs_1/102-3930418-3656909?ie=UTF8&s=books&qid=1174931841&sr=8-1
Manhattanville Writers Events
The Manhattanville Graduate Writing Program is sponsoring poet Marie Ponsot who will give a free poetry reading and talk at 3 p.m. in Reid Castle on April 15; on April 21st poet Alicia Ostriker will conduct an all-day master’s class in poetry, and on April 28th nonfiction writer Suzannah Lessard will offer a craft seminar on Memoir in the Dowd/O'Gorman Writing Center, 2-5 p.m., for $50. Call 914-353-5300 to register.
http://calendar.mville.edu/cgibin/calweb/calweb.exe?cal=Graduate_and_Prof__Studies&vt=12&cmd=0&act=0&nu=2007;3;26;12;0&lastcmd=0&dd=2007;4;26
DVD reviews
“Little Miss Sunshine” (Fox Searchlight Pictures, 2006), the poignant story of a dysfunctional family, copped Alan Arkin a well-deserved Best Supporting Actor Oscar this year and Michael Arndt Best Original Screenplay. When Ardnt accepted his award, he said one of his best childhood memories was his family’s cross-country ride in a beat-up Volkswagen van—ever proving that when we write from our own experience, we too might generate an award-winning screenplay. Also noteworthy: the performance by Oscar-nominated Abigail Breslin—and critical look at the “Little Miss” contest circuit.
http://www.foxsearchlight.com/littlemisssunshine/
“Real Women Have Curves” (HBO Films, 2002), winner of the Dramatic Audience Award at the 2002 Sundance Film Festival, tells the story of 18-year-old Ana, a first-generation Mexican-American from East Los Angeles, who struggles to balance her mainstream ambitions and more traditional cultural heritage. Ana may look familiar as she is America Ferrera on the popular ABC sitcom “Ugly Betty.” This film is a fascinating commentary on contemporary expectations of women’s appearance—in any culture.
http://www.hbo.com/films/realwomen/
“What the Bleep Do We Know?!” (20th Century Fox, 2005) is Amazon’s No. 1 Surprise DVD Hit of 2005. Originally released in 2004, it explores quantum physics which, in essence, propose thoughts can create reality and matter is not as we perceive it. An engaging storyline features Marlee Maitlin, an uptight photographer recently betrayed by her fiancée, who is confronted with the possibility of expanded consciousness. I enjoyed this film and its commentary by accomplished researchers and professors.
http://www.whatthebleep.com/
Sometimes it’s hard to believe that our peculiar life experience could be of interest to others—and sometimes we write about it and wonderful things happen. Take a leap of faith. Write from your experience.
Til next time,
Ann
anncefola.com
annogram.blogspot.com
Monday, March 26, 2007
Tuesday, February 27, 2007
your february annogram
It’s a joy to celebrate African-American History Month: This February, I stumbled onto some great programs on PBS that deepened my understanding of African American contributions to world culture. I also want to review two poetry books recommended to me by poet Marti Palar. So let’s get going!
‘Forgotten Genius’ on PBS
In my endless channel surfing that usually produces nothing but disgust, I was thrilled to find "Forgotten Genius" on Channel 13, our New York public television station. The NOVA episode followed the astonishing career of Dr. Julian Percy (1899-1975), an African American chemist who pioneered the development of steroids. In a long career at Glidden, he developed ways to produce steroids from yams and soy. Then founding his own lab, he discovered new ways to make cortisone affordable—even sacrificing profits in the process. He fought racism at every turn to make this huge scientific contribution and could have done much more had not the culture worked against him. So, the next time your doctor prescribes cortisone, breathe a word of thanks to Dr. Percy.
http://www.pbs.org/wgbh/nova/julian/civil.html
Ella Fitzgerald too
Did you know that Ella Fitzgerald, aka "the First Lady of Song," grew up in Yonkers? You may be thinking about her as she’s currently on a US postage stamp celebrating Black History Month. In another channel-surfing miracle, I discovered her singing her standards from shows in 1957 and 1963. Stunning in a satin and jeweled gown, she exhibited her awesome scat abilities and, in an amazing moment, imitated Louis Armstrong to perfection. Quincy Jones calls her, along with Louis and Count Basie, "the Bachs and Beethovens of our generation." I heard a lot of Count Basie, Ella Fitzgerald and Joe Williams in my house growing up, and feel like these giants raised me as much as my parents.
http://www.jazzicons.com/ji_fitzgerald.html
Tracy K. Smith, The Body’s Question (Graywolf, 2006)
People say there are two themes in poetry: love and loss. Tracy Smith deals with both expertly in poems nostalgic for her mother, and thoughts of lovers past and present. Poetry, Ferlinghetti says, is like "the shook foil of the imagination," that should "shine out and half blind you." Smith achieves this dazzle in lines from poems such as "Mangoes":
She considers her hands, at restLike pale fruits in her lap. Should she
Gather them in her skirt and hurry
Down the tree in reverse, greedy
For a vivid mouthful of something
Sweet?
Smith weaves strong narratives in expert lyricism that are really a pleasure to read.
http://www.cavecanempoets.org/pages/store/books_smith.htm
Terrance Hayes, Wind in a Box (Penguin, 2006)
Terrance Hayes tackles issues of race unflinchingly in this wonderful book. He has an outrageousness: Imagine four poems with the same title, or whole lines crossed out but left in the poem. Usually such effects cover weak work—but Hayes’s craft is strong. He also inserts a graphic, reflecting the title, on opposing pages throughout the book. Furthermore, he writes about contemporary cultural figures such as Melvin Van Peebles and David Bowie. Here are some sample lines from "Root":
My parents would have had me believe
there was no such thing as race
there in the wild backyard, our knees black
with store-bought grass and dirt,
black as the soil of pastures or of orchards
grown above the graves.
All I can say is "Wow!"
http://www.poems.com/windihay.htm
Introducing the book
Thanks to award-winning poet Janet Kaplan for sharing this hilarious video with me:
http://www.youtube.com/watch?v=eRjVeRbhtRU
SmArt History
Deemed one of the 12 most important podcasts by Fast Company, SmArt History
is a new way to enjoy art history:
http://www.smarthistory.org/blog
Wishing everyone imagination that shines like shook foil.
Until next time,
Ann
Anncefola.com
‘Forgotten Genius’ on PBS
In my endless channel surfing that usually produces nothing but disgust, I was thrilled to find "Forgotten Genius" on Channel 13, our New York public television station. The NOVA episode followed the astonishing career of Dr. Julian Percy (1899-1975), an African American chemist who pioneered the development of steroids. In a long career at Glidden, he developed ways to produce steroids from yams and soy. Then founding his own lab, he discovered new ways to make cortisone affordable—even sacrificing profits in the process. He fought racism at every turn to make this huge scientific contribution and could have done much more had not the culture worked against him. So, the next time your doctor prescribes cortisone, breathe a word of thanks to Dr. Percy.
http://www.pbs.org/wgbh/nova/julian/civil.html
Ella Fitzgerald too
Did you know that Ella Fitzgerald, aka "the First Lady of Song," grew up in Yonkers? You may be thinking about her as she’s currently on a US postage stamp celebrating Black History Month. In another channel-surfing miracle, I discovered her singing her standards from shows in 1957 and 1963. Stunning in a satin and jeweled gown, she exhibited her awesome scat abilities and, in an amazing moment, imitated Louis Armstrong to perfection. Quincy Jones calls her, along with Louis and Count Basie, "the Bachs and Beethovens of our generation." I heard a lot of Count Basie, Ella Fitzgerald and Joe Williams in my house growing up, and feel like these giants raised me as much as my parents.
http://www.jazzicons.com/ji_fitzgerald.html
Tracy K. Smith, The Body’s Question (Graywolf, 2006)
People say there are two themes in poetry: love and loss. Tracy Smith deals with both expertly in poems nostalgic for her mother, and thoughts of lovers past and present. Poetry, Ferlinghetti says, is like "the shook foil of the imagination," that should "shine out and half blind you." Smith achieves this dazzle in lines from poems such as "Mangoes":
She considers her hands, at restLike pale fruits in her lap. Should she
Gather them in her skirt and hurry
Down the tree in reverse, greedy
For a vivid mouthful of something
Sweet?
Smith weaves strong narratives in expert lyricism that are really a pleasure to read.
http://www.cavecanempoets.org/pages/store/books_smith.htm
Terrance Hayes, Wind in a Box (Penguin, 2006)
Terrance Hayes tackles issues of race unflinchingly in this wonderful book. He has an outrageousness: Imagine four poems with the same title, or whole lines crossed out but left in the poem. Usually such effects cover weak work—but Hayes’s craft is strong. He also inserts a graphic, reflecting the title, on opposing pages throughout the book. Furthermore, he writes about contemporary cultural figures such as Melvin Van Peebles and David Bowie. Here are some sample lines from "Root":
My parents would have had me believe
there was no such thing as race
there in the wild backyard, our knees black
with store-bought grass and dirt,
black as the soil of pastures or of orchards
grown above the graves.
All I can say is "Wow!"
http://www.poems.com/windihay.htm
Introducing the book
Thanks to award-winning poet Janet Kaplan for sharing this hilarious video with me:
http://www.youtube.com/watch?v=eRjVeRbhtRU
SmArt History
Deemed one of the 12 most important podcasts by Fast Company, SmArt History
is a new way to enjoy art history:
http://www.smarthistory.org/blog
Wishing everyone imagination that shines like shook foil.
Until next time,
Ann
Anncefola.com
Sunday, January 28, 2007
Is it too late to say Happy New Year? I am going to do it anyway: Best wishes for a creative, productive and fun year ahead. Mine has started out wonderfully:
Witter Bynner Poetry Translation Residency
I am honored to receive a 2007 Witter Bynner Poetry Translation Residency from the Santa Fe Arts Institute (SFAI). The award will let me travel to Santa Fe in the fall to translate Hélène Sanguinetti’s latest work, Le Héros (Flammarion, 2008). SFAI brings together emerging writers with artists such as John Baldessari, Elizabeth Murray and Laurie Anderson to create engaging residencies and community outreach. Everyone seems to call Santa Fe "magical." If you have any must-dos or must-sees, please let me know!
www.sfai.org
Homophonic Translation
Poet and teacher Kevin Pilkington often gives students a poem in another language and asks them to "translate" it based on its sounds. This is the idea behind Circumference’s Homophonic Feature. In Circumference 5, you can read my take on a Polish poem. The exercise is a freeing one and even I was surprised with what emerged.
http://www.circumferencemag.com/about.html
Meg Lindsay at Sarah Lawrence Library
Abstract painter and poet Meg Lindsay’s paintings—a menagerie of sheep, owls, dragonflies and dogs—take images we recognize and make them electric with color. The more she cuts loose with big brushstrokes, the more extraordinary her work: You can see the vivid influence of her teacher, colorist Wolf Kahn. My favorites: "Progression of Three Owls in Orange", "Mystic Triangles" and "The Hudson Seen Through Slender Tree Trunks." Through March 3lst.
http://www.slc.edu/library/exhibits.htm
Toadlily Press Reading at HVWC
The Hudson Valley Writers Center is hosting a Toadlily Press reading on Friday, February 9, at 7:30pm. Toadlily poets such as Myrna Goodman will read, followed by a reception. You might also catch a beautiful nighttime view of the Hudson. The Hudson Valley Writers Center is located in the restored Phillips Manor RR Station, 300 Riverside Drive, Sleepy Hollow, NY. (914) 332-5953.
http://www.writerscenter.org/
Greenburgh’s Poet Laureate on airwaves tomorrow
Brenda Connor-Bey will be on WVOX, 1460 AM, on Monday morning, 11 a.m. or on the live web stream at
http://www.wvox.com/
More great stuff from Poetz
Kudos also to Jackie Sheeler, the Poet Laureate of Riker’s Island, for her informative and generous e-newsletter which is chockfull of opportunities, readings and contests for poets. Sign up at
poetz-suscribe@yahoogroups.com.
How to create a poetry book
Thanks to Linda Simone—and congratulations on winning Special Recognition in the 2006 Helen Schaible Shakespearean/Petrarchan Sonnet Contest—for giving me Ordering the Storm: How to Put Together a Book of Poems (Cleveland State University, 2006), edited by Susan Grimm. This essay collection illuminates the murky science of book-making—such as Wanda Coleman’s revelation that Sci-Fi anthologies serve as her blueprint. I am enjoying many asides on the poet’s path: What we artists want to do more than anything else, says Liz Rosenberg, is to "become most perfectly ourselves".
http://www.amazon.com/Ordering-Storm-Together-Poems-Imagination/dp/1880834707
Book reviews
Cole, Henri. Middle Earth (Farrar, Straus & Giroux, 2003). Cole explores familial memories by balancing delicate lyricism and concrete image. In "Swans," he recalls scattering his father’s ashes which, "we flung hard/into the green water slapping against the pier" and later remembers "being a sunburned boy napping between hairy legs." The flash of memory intrudes on the poem much like it does in thinking. I like his family remembrances best and sometimes feel the monotonal voice of other poems strays dangerously close to Jack Handey.
http://www.randomhouse.com/knopf/authors/cole/poetsonpoetry.html
Glück, Louise. Averno (Farrar, Straus & Giroux, 2006). A critic described this book as a masterpiece and I agree: Glück ties together the Persephone myth, her own familial mythology and philosophical inquiry—all in her famous casual tone. As you may recall, Persephone was abducted by the god of death from a field. In "Persephone the Wanderer," Glück dares to ask, "What will you do/when it is your turn in the field with the god?" She also turns the myth upside down by suggesting Persephone’s true prison was not Hades—but her relationship with her mother.
http://www.english.uiuc.edu/maps/poets/g_l/gluck/about.htm
Kalytiak-Davis, Olena. And Her Soul Out of Nothing (University of Wisconsin Press, 1997). Many recommended this book, and I was not disappointed: Kalytiak-Davis juxtaposes original metaphors with calculated space in between: The pleasure is in the delightful turns of thought. In "The Scaffolding Inside You", she writes "Your thoughts have hung themselves from nails/like work shirts." Toward the back, most likely earlier work doesn’t achieve the magic of the front poems: Even this is instructive in terms of understanding a poet’s evolution.
http://poetryfoundation.org/dispatches/journals/01.30.06.html
Skloot, Floyd. The End of Dreams (Louisiana State Press, 2006). If you’re like me, you may get fed up with all the lyric narrative out there. I want to shout, even about my own poems, "Enough already!" Skloot gets dispensation: Here is someone who handles it well. I love when he writes about artistic giants such as Bach and Cézanne. A poem to cherish is "Whitman Pinch Hits, 1861" about the poet watching, then joining, a baseball game played by a group of young men:
[…] and he came toward them like a bather moving through
thigh-high breakers, time stopping and then
turning back
letting him loose at last amid the spirits that greeted him
as the boys pounded his back, as they turned him around
and shoved him toward the field [….]
http://www.floydskloot.com/
I leave you with this lovely image of the great poet. As Whitman did, may you become—through your art—"most perfectly yourself."
Ann
anncefola.com
annogram.blogspot.com
Witter Bynner Poetry Translation Residency
I am honored to receive a 2007 Witter Bynner Poetry Translation Residency from the Santa Fe Arts Institute (SFAI). The award will let me travel to Santa Fe in the fall to translate Hélène Sanguinetti’s latest work, Le Héros (Flammarion, 2008). SFAI brings together emerging writers with artists such as John Baldessari, Elizabeth Murray and Laurie Anderson to create engaging residencies and community outreach. Everyone seems to call Santa Fe "magical." If you have any must-dos or must-sees, please let me know!
www.sfai.org
Homophonic Translation
Poet and teacher Kevin Pilkington often gives students a poem in another language and asks them to "translate" it based on its sounds. This is the idea behind Circumference’s Homophonic Feature. In Circumference 5, you can read my take on a Polish poem. The exercise is a freeing one and even I was surprised with what emerged.
http://www.circumferencemag.com/about.html
Meg Lindsay at Sarah Lawrence Library
Abstract painter and poet Meg Lindsay’s paintings—a menagerie of sheep, owls, dragonflies and dogs—take images we recognize and make them electric with color. The more she cuts loose with big brushstrokes, the more extraordinary her work: You can see the vivid influence of her teacher, colorist Wolf Kahn. My favorites: "Progression of Three Owls in Orange", "Mystic Triangles" and "The Hudson Seen Through Slender Tree Trunks." Through March 3lst.
http://www.slc.edu/library/exhibits.htm
Toadlily Press Reading at HVWC
The Hudson Valley Writers Center is hosting a Toadlily Press reading on Friday, February 9, at 7:30pm. Toadlily poets such as Myrna Goodman will read, followed by a reception. You might also catch a beautiful nighttime view of the Hudson. The Hudson Valley Writers Center is located in the restored Phillips Manor RR Station, 300 Riverside Drive, Sleepy Hollow, NY. (914) 332-5953.
http://www.writerscenter.org/
Greenburgh’s Poet Laureate on airwaves tomorrow
Brenda Connor-Bey will be on WVOX, 1460 AM, on Monday morning, 11 a.m. or on the live web stream at
http://www.wvox.com/
More great stuff from Poetz
Kudos also to Jackie Sheeler, the Poet Laureate of Riker’s Island, for her informative and generous e-newsletter which is chockfull of opportunities, readings and contests for poets. Sign up at
poetz-suscribe@yahoogroups.com.
How to create a poetry book
Thanks to Linda Simone—and congratulations on winning Special Recognition in the 2006 Helen Schaible Shakespearean/Petrarchan Sonnet Contest—for giving me Ordering the Storm: How to Put Together a Book of Poems (Cleveland State University, 2006), edited by Susan Grimm. This essay collection illuminates the murky science of book-making—such as Wanda Coleman’s revelation that Sci-Fi anthologies serve as her blueprint. I am enjoying many asides on the poet’s path: What we artists want to do more than anything else, says Liz Rosenberg, is to "become most perfectly ourselves".
http://www.amazon.com/Ordering-Storm-Together-Poems-Imagination/dp/1880834707
Book reviews
Cole, Henri. Middle Earth (Farrar, Straus & Giroux, 2003). Cole explores familial memories by balancing delicate lyricism and concrete image. In "Swans," he recalls scattering his father’s ashes which, "we flung hard/into the green water slapping against the pier" and later remembers "being a sunburned boy napping between hairy legs." The flash of memory intrudes on the poem much like it does in thinking. I like his family remembrances best and sometimes feel the monotonal voice of other poems strays dangerously close to Jack Handey.
http://www.randomhouse.com/knopf/authors/cole/poetsonpoetry.html
Glück, Louise. Averno (Farrar, Straus & Giroux, 2006). A critic described this book as a masterpiece and I agree: Glück ties together the Persephone myth, her own familial mythology and philosophical inquiry—all in her famous casual tone. As you may recall, Persephone was abducted by the god of death from a field. In "Persephone the Wanderer," Glück dares to ask, "What will you do/when it is your turn in the field with the god?" She also turns the myth upside down by suggesting Persephone’s true prison was not Hades—but her relationship with her mother.
http://www.english.uiuc.edu/maps/poets/g_l/gluck/about.htm
Kalytiak-Davis, Olena. And Her Soul Out of Nothing (University of Wisconsin Press, 1997). Many recommended this book, and I was not disappointed: Kalytiak-Davis juxtaposes original metaphors with calculated space in between: The pleasure is in the delightful turns of thought. In "The Scaffolding Inside You", she writes "Your thoughts have hung themselves from nails/like work shirts." Toward the back, most likely earlier work doesn’t achieve the magic of the front poems: Even this is instructive in terms of understanding a poet’s evolution.
http://poetryfoundation.org/dispatches/journals/01.30.06.html
Skloot, Floyd. The End of Dreams (Louisiana State Press, 2006). If you’re like me, you may get fed up with all the lyric narrative out there. I want to shout, even about my own poems, "Enough already!" Skloot gets dispensation: Here is someone who handles it well. I love when he writes about artistic giants such as Bach and Cézanne. A poem to cherish is "Whitman Pinch Hits, 1861" about the poet watching, then joining, a baseball game played by a group of young men:
[…] and he came toward them like a bather moving through
thigh-high breakers, time stopping and then
turning back
letting him loose at last amid the spirits that greeted him
as the boys pounded his back, as they turned him around
and shoved him toward the field [….]
http://www.floydskloot.com/
I leave you with this lovely image of the great poet. As Whitman did, may you become—through your art—"most perfectly yourself."
Ann
anncefola.com
annogram.blogspot.com
Thursday, December 28, 2006
december annogram
Hi everyone, hope you are having a wonderful Hanukkah, Christmas or Kwanzaa season. I am celebrating two poems in http://www.poemeleon.org/, a special issue that focuses happily on artists. Take a look and let me know what you think.
http://www.poemeleon.org/ann-cefola/
Poetry at the Hudson River Museum
While at the monthly Westchester Amateur Astronomers meeting, I stumbled into a November 10 reading by poet Kathleen Ossip. Kathleen won the 2002 American Poetry Review/Honickman First Book Award for The Search Engine (The American Poetry Review, 2002). Kathleen models many poems after work by greats such as Eliot and Bishop. I particularly enjoyed her local color (“Geese on the Median of the Saw Mill Parkway”) and in lines such as “Let us go to Tuckahoe. Let us meet at the duck pond…” (“The Pleasure of Your Company”). A tough critic, I found myself engaged by Kathleen’s unusual wordplay and strong metaphors.
http://www.aprweb.org/bookprize/ossip.shtml
Discovering the new Hudson River Museum
Walking around the museum gave me a chance to appreciate its improved appearance—the dramatic rectangular entrance and improved interior lighting gives it a more comfortable feel. I enjoyed photographs by Yonkers native and professional photographer Guy Gillette—classic pictures of Audrey Hepburn and others dating back to the 1940s. I also welcomed paintings and prints of the stark Maine landscape by late artist Neil Welliver. With both exhibits up until January 7, you can shake your winter doldrums by taking them in.
http://www.hrm.org/
French poet at Sarah Lawrence
Thanks to Meredith Trede for dragging me out of my winter stupor to attend a reading by French poet Marie Borel at Sarah Lawrence College. Marie, accompanied by translators Sarah Riggs and Omar Berrada, read from her book Trompe-Loup and its translation, Wolftrot (Fence Books, 2006). Like a performance, all three wove an intriguing narrative in English and French. Reappearing characters and themes connect the poems. Congratulations to Marie, Sarah and Omar on their joint translation project!
http://www.amazon.com/Wolftrot-Marie-Borel/dp/1934200034/sr=8-1/qid=1167341779/ref=sr_1_1/102-6310798-7406543?ie=UTF8&s=books
Hip bone’s connected to….
Bodies: The Exhibit at South Street Seaport features human bodies preserved in acrylic and then sliced to expose bones, muscles, blood vessels, nerves and organs. Although it sounds grizzly, the exhibit is an extraordinary experience for lay people—and there were lots of EMS workers and physical therapists on hand to relish the opportunity. I developed a new appreciation for our delicate innards—and the impact upon them of what we consume and breathe. While grateful for the experience, I felt sad for the bodies—rumored to be prisoners in Asia—that they ended up this way.
www.bodiestheexhibition.com/
French Film Festival
My Francophile-neighbor Susan lent me three French DVDs recently: “The Child” (Sony Pictures Classics, 2005), by Jean Pierre and Luc Dardenne, follows two adolescent lovers who give birth to an infant. While the young mother takes to her new role, her petty-thief partner promptly sells their baby. The plot spirals from there—and I wondered who is the real “child”? The baby, unsuspecting mother or misguided father?
“A Very Long Engagement” (Warner Independent Pictures, 2003) takes place in World War I France. Audrey Tatou (“Amelie”) sets out to find her soldier lover, supposedly executed for his attempt to desert. This film vividly portrays the horrors of war and tenacity of one woman who believes against all odds that her soul mate is alive. “A Very Long Engagement” achieves the feel of a detective story as Tatou inches closer to answers.
The best was “Ridicule” (Buena Vista Home Entertainment, 1996), a film by Patric LeConte set in the pre-revolutionary court of Louis XVI. An aristocrat farmer heads to Paris to beg the king to drain the swamps that are causing pestilence and death in his region. To get the king’s attention, he must play into the hands of the court and often violate his own values. While a fascinating story, the film also affords what feels like an accurate glimpse into that era’s unmerciful court culture.
Toadlily Press open reading
Toadlily is considering manuscripts for its yearly book during January. Each book incorporates chapbooks for four different poets. The books are beautifully designed and thoughtfully marketed by Toadlily editors who are themselves poets passionate about their craft. See the web site for more details.
http://www.toadlilypress.com/sub.htm
The Westchester Review
This new literary journal includes fiction, non-fiction, and poetry by 45 Westchester writers. Buy the journal for $8 at Bronxville Books/Womrath Bookshop in Bronxville, Elaine S. Feiden Rare Books in Mamaronneck, Reading Writing & Wrapping in Scarsdale, and The Village Bookstore in Pleasantville. To order a copy send your check to: Stanley Sokol, 10 Stewart Place, 6GW, White Plains, NY 10603.
The greats, one morsel at a time
Poet Linda Simone alerts us to DailyLit, a free daily e-mail service that delivers under-five-minute bites of classics from Aristotle and Austen to Shakespeare and Sinclair.
http://www.dailylit.com/
UN redux
So many people were intrigued by my reading at the United Nations. Here is a good summary:
http://www.lightmillennium.org/undpingo_59_poetry/amessuti_ngo_59th_poetry.html
CD Wright on publishing
Poet Myrna Goodman sent me this wonderful commentary, by one of my favorite poets, on publishing—often an angst-ridden path for us poets:
It depends upon how you count books. There are chapbooks, book books, and then there are just early, if not premature, books of a dubious class, that need to be released so that the other book, the one you intended to write, can be written.
Poet Frank Stanford read my poems and accepted them on behalf of Irving Broughton, his own publisher at the time. I was a third-year graduate student. The press, Mill Mountain, was based in Seattle at the time and is now defunct. It was a perfect-bound chapbook on ivory, laid paper, titled Alla Breve Loving. The title (and the paper, Warren Olde Style) had to be its strongest features. The next two chapbooks, Room Rented by a Single Woman and Terrorism came out from Lost Roads Publishers which was initially Frank Stanford’s press. I shared the purchase of equipment with him, but he was the sole editor. The reason he provided for starting the press was that he knew a lot of talented poets who had no ready access to publication. At least in my case he could have added ‘no wherewithal with respect to publication.’ After Stanford’s death I was the sole editor for a time.
My first full-length collection came out from SUNY Albany. It was chosen by Paul Zweig and C.K. Williams. Paul Zweig died before the book came out, and I don’t think C.K. continued the editorship after his friend’s death. The managing editor Nancy Sharlett (now also deceased) shepherded the book through the process, and though she was in charge of the administrative details and I was living in Mexico, she stayed in close contact with me, and I felt I had made bona fide contact with the somewhat larger publishing world. It was beautifully produced. The title itself remains one of my favorites, Translations of the Gospel Back into Tongues. And I had by that time learned a couple of things about writing I hadn’t learned before. I would come to include about half of the poems from Translations in Steal Away, my selected poems.
It’s an ongoing challenge and chore—the reading, writing, editing, and publishing process. The beginning doesn’t need to be perfect. I started locally and would not have known how to do otherwise. My standards grew more demanding regarding my own work over time, as I began to apprehend what I could and could not make happen with twenty- six letters and a limited skill set. I’ve never stopped seeing my first job as the one that requires my own development as a writer without respect to a promising publishing outcome. This view has not spared me some intense disappointments, but it has been my only reliable barometer. With respect to publishing in magazines, I aim for company I want to keep. With respect to publishing with presses, I put a premium on mutual respect, high production values, a various and ever-evolving list, and a serious endeavor toward distribution— would that I had managed all of the same for the poets who published with Lost Roads.
I know things have changed. I know the proliferation of writing programs and contests have rewarded some and embittered others. I know my experience holds only a partial example up to today’s conditions. One aspect of that example is to start where you are. That’s the geographical part. The internet’s addendum to that option is, start on-line. And in tandem with both options, start the publishing mechanism yourself—a journal, a book press, a reading series, a book club, a web-mag, a blog. The beginning will not likely be perfect. Not only do I see these as legitimate starting points, but I see the core action and much of the most astonishing and enduring writing through the history of the whole literary project as having come out of such initiatives. So there.
Wishing us all imperfect and legitimate starting points!
Ann
Anncefola.com
Annogram.blogspot.com
http://www.poemeleon.org/ann-cefola/
Poetry at the Hudson River Museum
While at the monthly Westchester Amateur Astronomers meeting, I stumbled into a November 10 reading by poet Kathleen Ossip. Kathleen won the 2002 American Poetry Review/Honickman First Book Award for The Search Engine (The American Poetry Review, 2002). Kathleen models many poems after work by greats such as Eliot and Bishop. I particularly enjoyed her local color (“Geese on the Median of the Saw Mill Parkway”) and in lines such as “Let us go to Tuckahoe. Let us meet at the duck pond…” (“The Pleasure of Your Company”). A tough critic, I found myself engaged by Kathleen’s unusual wordplay and strong metaphors.
http://www.aprweb.org/bookprize/ossip.shtml
Discovering the new Hudson River Museum
Walking around the museum gave me a chance to appreciate its improved appearance—the dramatic rectangular entrance and improved interior lighting gives it a more comfortable feel. I enjoyed photographs by Yonkers native and professional photographer Guy Gillette—classic pictures of Audrey Hepburn and others dating back to the 1940s. I also welcomed paintings and prints of the stark Maine landscape by late artist Neil Welliver. With both exhibits up until January 7, you can shake your winter doldrums by taking them in.
http://www.hrm.org/
French poet at Sarah Lawrence
Thanks to Meredith Trede for dragging me out of my winter stupor to attend a reading by French poet Marie Borel at Sarah Lawrence College. Marie, accompanied by translators Sarah Riggs and Omar Berrada, read from her book Trompe-Loup and its translation, Wolftrot (Fence Books, 2006). Like a performance, all three wove an intriguing narrative in English and French. Reappearing characters and themes connect the poems. Congratulations to Marie, Sarah and Omar on their joint translation project!
http://www.amazon.com/Wolftrot-Marie-Borel/dp/1934200034/sr=8-1/qid=1167341779/ref=sr_1_1/102-6310798-7406543?ie=UTF8&s=books
Hip bone’s connected to….
Bodies: The Exhibit at South Street Seaport features human bodies preserved in acrylic and then sliced to expose bones, muscles, blood vessels, nerves and organs. Although it sounds grizzly, the exhibit is an extraordinary experience for lay people—and there were lots of EMS workers and physical therapists on hand to relish the opportunity. I developed a new appreciation for our delicate innards—and the impact upon them of what we consume and breathe. While grateful for the experience, I felt sad for the bodies—rumored to be prisoners in Asia—that they ended up this way.
www.bodiestheexhibition.com/
French Film Festival
My Francophile-neighbor Susan lent me three French DVDs recently: “The Child” (Sony Pictures Classics, 2005), by Jean Pierre and Luc Dardenne, follows two adolescent lovers who give birth to an infant. While the young mother takes to her new role, her petty-thief partner promptly sells their baby. The plot spirals from there—and I wondered who is the real “child”? The baby, unsuspecting mother or misguided father?
“A Very Long Engagement” (Warner Independent Pictures, 2003) takes place in World War I France. Audrey Tatou (“Amelie”) sets out to find her soldier lover, supposedly executed for his attempt to desert. This film vividly portrays the horrors of war and tenacity of one woman who believes against all odds that her soul mate is alive. “A Very Long Engagement” achieves the feel of a detective story as Tatou inches closer to answers.
The best was “Ridicule” (Buena Vista Home Entertainment, 1996), a film by Patric LeConte set in the pre-revolutionary court of Louis XVI. An aristocrat farmer heads to Paris to beg the king to drain the swamps that are causing pestilence and death in his region. To get the king’s attention, he must play into the hands of the court and often violate his own values. While a fascinating story, the film also affords what feels like an accurate glimpse into that era’s unmerciful court culture.
Toadlily Press open reading
Toadlily is considering manuscripts for its yearly book during January. Each book incorporates chapbooks for four different poets. The books are beautifully designed and thoughtfully marketed by Toadlily editors who are themselves poets passionate about their craft. See the web site for more details.
http://www.toadlilypress.com/sub.htm
The Westchester Review
This new literary journal includes fiction, non-fiction, and poetry by 45 Westchester writers. Buy the journal for $8 at Bronxville Books/Womrath Bookshop in Bronxville, Elaine S. Feiden Rare Books in Mamaronneck, Reading Writing & Wrapping in Scarsdale, and The Village Bookstore in Pleasantville. To order a copy send your check to: Stanley Sokol, 10 Stewart Place, 6GW, White Plains, NY 10603.
The greats, one morsel at a time
Poet Linda Simone alerts us to DailyLit, a free daily e-mail service that delivers under-five-minute bites of classics from Aristotle and Austen to Shakespeare and Sinclair.
http://www.dailylit.com/
UN redux
So many people were intrigued by my reading at the United Nations. Here is a good summary:
http://www.lightmillennium.org/undpingo_59_poetry/amessuti_ngo_59th_poetry.html
CD Wright on publishing
Poet Myrna Goodman sent me this wonderful commentary, by one of my favorite poets, on publishing—often an angst-ridden path for us poets:
It depends upon how you count books. There are chapbooks, book books, and then there are just early, if not premature, books of a dubious class, that need to be released so that the other book, the one you intended to write, can be written.
Poet Frank Stanford read my poems and accepted them on behalf of Irving Broughton, his own publisher at the time. I was a third-year graduate student. The press, Mill Mountain, was based in Seattle at the time and is now defunct. It was a perfect-bound chapbook on ivory, laid paper, titled Alla Breve Loving. The title (and the paper, Warren Olde Style) had to be its strongest features. The next two chapbooks, Room Rented by a Single Woman and Terrorism came out from Lost Roads Publishers which was initially Frank Stanford’s press. I shared the purchase of equipment with him, but he was the sole editor. The reason he provided for starting the press was that he knew a lot of talented poets who had no ready access to publication. At least in my case he could have added ‘no wherewithal with respect to publication.’ After Stanford’s death I was the sole editor for a time.
My first full-length collection came out from SUNY Albany. It was chosen by Paul Zweig and C.K. Williams. Paul Zweig died before the book came out, and I don’t think C.K. continued the editorship after his friend’s death. The managing editor Nancy Sharlett (now also deceased) shepherded the book through the process, and though she was in charge of the administrative details and I was living in Mexico, she stayed in close contact with me, and I felt I had made bona fide contact with the somewhat larger publishing world. It was beautifully produced. The title itself remains one of my favorites, Translations of the Gospel Back into Tongues. And I had by that time learned a couple of things about writing I hadn’t learned before. I would come to include about half of the poems from Translations in Steal Away, my selected poems.
It’s an ongoing challenge and chore—the reading, writing, editing, and publishing process. The beginning doesn’t need to be perfect. I started locally and would not have known how to do otherwise. My standards grew more demanding regarding my own work over time, as I began to apprehend what I could and could not make happen with twenty- six letters and a limited skill set. I’ve never stopped seeing my first job as the one that requires my own development as a writer without respect to a promising publishing outcome. This view has not spared me some intense disappointments, but it has been my only reliable barometer. With respect to publishing in magazines, I aim for company I want to keep. With respect to publishing with presses, I put a premium on mutual respect, high production values, a various and ever-evolving list, and a serious endeavor toward distribution— would that I had managed all of the same for the poets who published with Lost Roads.
I know things have changed. I know the proliferation of writing programs and contests have rewarded some and embittered others. I know my experience holds only a partial example up to today’s conditions. One aspect of that example is to start where you are. That’s the geographical part. The internet’s addendum to that option is, start on-line. And in tandem with both options, start the publishing mechanism yourself—a journal, a book press, a reading series, a book club, a web-mag, a blog. The beginning will not likely be perfect. Not only do I see these as legitimate starting points, but I see the core action and much of the most astonishing and enduring writing through the history of the whole literary project as having come out of such initiatives. So there.
Wishing us all imperfect and legitimate starting points!
Ann
Anncefola.com
Annogram.blogspot.com
Friday, November 03, 2006
your fall annogram
Welcome to your fall annogram! Yes, I did let September and October slip by—so this will be full of my activities during that time. Hope you are enjoying this glorious and crisp weather.
Reading at the United Nations
What a thrill it was to read at the United Nations in early September! The event, part of an annual NGO conference, was co-sponsored by The Light Millennium, a Turkish organization; and Respectful Interfaces, a UN group. We had a wonderful cross-cultural experience—with people such as Muzaffer Baca, vice president of the International Blue Crescent, reading beloved Turkish poets Nazim Hikmet Ran (1902-1963) and Orhan Veli Kanik (1914-1950), and musical interludes from Persian Amir Vahab and his Soroosh Ensemble (see URL to sample his music). Award-winning poets Terry Dugan, Timothy Liu, Kevin Pilkington, Linda Simone and I added our Western voices.
www.lightmillennium.org
www.tanbour.org
Sea Stories
My poem, “Landfall,” is in the autumn issue of Sea Stories. The journal is a project of the interdisciplinary Blue Ocean Institute, founded by a MacArthur fellow to encourage ocean conservation. Whether you want to learn what seafood to eat, or what research the Institute is doing, this web site is full of ocean-loving facts. http://www.seastories.org/autumnal_content/cefola_landfall.html
ActionYes
Online quarterly online ActionYes features my translation of the opening to Helene Sanguinetti’s first book, Left-hand Exploring (Flammarion, 1999). What’s cool is that you can mouse-over the translation to see the original French and the page includes a drawing by Helene’s brother Alain. I am looking for a publisher for this translated manuscript and welcome any suggestions or direction.
http://www.actionyes.org/issue3/sanguinetti/sanguinetti1.html
New translation focus
A sample of Helene’s second book is on the home page of my web site and a new manifesto on translation. Let me know what you think!
www.Anncefola.com
www.anncefola.com/translation.htm
Metamorphoses
What a pleasure to see the Weston Playhouse production of Mary Zimmerman’s Metamorphoses. Zimmerman selected myths from Ovid (43 BCE – 17 AD) and updated them with an American sensibility. The result is a contemporary re-telling of common and not-so-common tales. I enjoyed hearing director Steve Stettler discuss the production prior to the play. According to Stettler, Ovid (pronounced Ah-vid) was a “New York Times Bestseller” of his day—conveying 250 Greco-Roman myths in his 15-volume work, Metamorphoses (8 AD)—to a sophisticated Roman audience. He added that the play, which deals with classic human emotions, opened in New York days after 9/11 and provided a cathartic experience for most attendees. I laughed and cried too.
www.westonplayhouse.org
Editors and Agents Panel at Manhattanville
A free editors and agents panel, on November 7 at 7 p.m. in the Dowd-O’Gorman Writing Center at Manhattanville College, offers a rare opportunity to hear publishing professionals discuss their requirements. It will feature Abby Zidle, senior editor, Harlequin Books; Eric Levy, senior acquisitions editor, Wesleyan University Press; Mitchell Waters, an agent at Curtis Brown; and Martha Hoffman with Judith Erlich Literary Management. http://calendar.mville.edu/cgi-bin/calweb/calweb.exe?cal=Graduate_and_Prof__Studies&vt=12&cmd=5&act=273&dd=2006;11;7;12;0&lastcmd=0&rt=2006;11;7;19;0;0;
Inside scoop on small presses
What’s it like to be a small press publisher? Find out at Toadlily Press Poets and Publishers Tell All: A free panel discussion on the Small Press “scene” on November 5 at 2 p.m. at the North Castle Public Library, 19 Whippoorwill Road East, Armonk, NY (914-273-3887). Refreshments follow panel and reading. Can’t make that event? Hear Toadlily poets Pam Hart and Victoria Givotovsky read at Bernard's Inn, 20 West Lane/Route 35, Ridgefield, CT (203-438-8282). Luncheon ($25) follows the free reading.
http://www.northcastlelibrary.org/http://www.bernardsridgefield.com/
Richard Ford on the writing process
I heard a fascinating interview with Pulitzer Prize-winning novelist Richard Ford on WNYC’s Leonard Lopate Show and recommend it to all my fiction-loving, narrative-writing friends (you know who you are).
http://www.wnyc.org/shows/lopate/episodes/2006/11/02
Eating through Vermont
I am taking a detour from the arts to tell you about Fat Frank’s in Bellows Falls, Vermont. My husband and I were intrigued to sample the food at “the wurst place in Bellows Falls.” While Michael enjoyed the franks, I had a savory veggie burger that Frank makes himself out of—vegetables (doh!). To quote Frank, he feels a veggie burger should taste like “vegetables.” http://www.flickr.com/photos/kaszeta/268503138/
I leave you with Mary Zimmerman's quote on the message of myth: “Don’t lose sight of the fact that there is still beauty in the world, and there is still love in the world, and these simple pleasures in the world, which are indelible.”
http://www.pbs.org/now/transcript/transcript_zimmerman.html
Ann
anncefola.com
Reading at the United Nations
What a thrill it was to read at the United Nations in early September! The event, part of an annual NGO conference, was co-sponsored by The Light Millennium, a Turkish organization; and Respectful Interfaces, a UN group. We had a wonderful cross-cultural experience—with people such as Muzaffer Baca, vice president of the International Blue Crescent, reading beloved Turkish poets Nazim Hikmet Ran (1902-1963) and Orhan Veli Kanik (1914-1950), and musical interludes from Persian Amir Vahab and his Soroosh Ensemble (see URL to sample his music). Award-winning poets Terry Dugan, Timothy Liu, Kevin Pilkington, Linda Simone and I added our Western voices.
www.lightmillennium.org
www.tanbour.org
Sea Stories
My poem, “Landfall,” is in the autumn issue of Sea Stories. The journal is a project of the interdisciplinary Blue Ocean Institute, founded by a MacArthur fellow to encourage ocean conservation. Whether you want to learn what seafood to eat, or what research the Institute is doing, this web site is full of ocean-loving facts. http://www.seastories.org/autumnal_content/cefola_landfall.html
ActionYes
Online quarterly online ActionYes features my translation of the opening to Helene Sanguinetti’s first book, Left-hand Exploring (Flammarion, 1999). What’s cool is that you can mouse-over the translation to see the original French and the page includes a drawing by Helene’s brother Alain. I am looking for a publisher for this translated manuscript and welcome any suggestions or direction.
http://www.actionyes.org/issue3/sanguinetti/sanguinetti1.html
New translation focus
A sample of Helene’s second book is on the home page of my web site and a new manifesto on translation. Let me know what you think!
www.Anncefola.com
www.anncefola.com/translation.htm
Metamorphoses
What a pleasure to see the Weston Playhouse production of Mary Zimmerman’s Metamorphoses. Zimmerman selected myths from Ovid (43 BCE – 17 AD) and updated them with an American sensibility. The result is a contemporary re-telling of common and not-so-common tales. I enjoyed hearing director Steve Stettler discuss the production prior to the play. According to Stettler, Ovid (pronounced Ah-vid) was a “New York Times Bestseller” of his day—conveying 250 Greco-Roman myths in his 15-volume work, Metamorphoses (8 AD)—to a sophisticated Roman audience. He added that the play, which deals with classic human emotions, opened in New York days after 9/11 and provided a cathartic experience for most attendees. I laughed and cried too.
www.westonplayhouse.org
Editors and Agents Panel at Manhattanville
A free editors and agents panel, on November 7 at 7 p.m. in the Dowd-O’Gorman Writing Center at Manhattanville College, offers a rare opportunity to hear publishing professionals discuss their requirements. It will feature Abby Zidle, senior editor, Harlequin Books; Eric Levy, senior acquisitions editor, Wesleyan University Press; Mitchell Waters, an agent at Curtis Brown; and Martha Hoffman with Judith Erlich Literary Management. http://calendar.mville.edu/cgi-bin/calweb/calweb.exe?cal=Graduate_and_Prof__Studies&vt=12&cmd=5&act=273&dd=2006;11;7;12;0&lastcmd=0&rt=2006;11;7;19;0;0;
Inside scoop on small presses
What’s it like to be a small press publisher? Find out at Toadlily Press Poets and Publishers Tell All: A free panel discussion on the Small Press “scene” on November 5 at 2 p.m. at the North Castle Public Library, 19 Whippoorwill Road East, Armonk, NY (914-273-3887). Refreshments follow panel and reading. Can’t make that event? Hear Toadlily poets Pam Hart and Victoria Givotovsky read at Bernard's Inn, 20 West Lane/Route 35, Ridgefield, CT (203-438-8282). Luncheon ($25) follows the free reading.
http://www.northcastlelibrary.org/http://www.bernardsridgefield.com/
Richard Ford on the writing process
I heard a fascinating interview with Pulitzer Prize-winning novelist Richard Ford on WNYC’s Leonard Lopate Show and recommend it to all my fiction-loving, narrative-writing friends (you know who you are).
http://www.wnyc.org/shows/lopate/episodes/2006/11/02
Eating through Vermont
I am taking a detour from the arts to tell you about Fat Frank’s in Bellows Falls, Vermont. My husband and I were intrigued to sample the food at “the wurst place in Bellows Falls.” While Michael enjoyed the franks, I had a savory veggie burger that Frank makes himself out of—vegetables (doh!). To quote Frank, he feels a veggie burger should taste like “vegetables.” http://www.flickr.com/photos/kaszeta/268503138/
I leave you with Mary Zimmerman's quote on the message of myth: “Don’t lose sight of the fact that there is still beauty in the world, and there is still love in the world, and these simple pleasures in the world, which are indelible.”
http://www.pbs.org/now/transcript/transcript_zimmerman.html
Ann
anncefola.com
Monday, August 28, 2006
your august annogram
Reading at the United Nations
I’m thrilled to be reading September 7 at the U.N. Vision and Millennium Development Goals Speak Through The Arts program. With award-winning poets Terry Dugan, Kevin Pilkington and Linda Simone, the reading will celebrate themes of global partnership and respect.
http://www.lightmillennium.org/events/unngo_59_conference_poetry.html
Poetz.com
Thanks to the Poet Laureate of Rikers Island, a.k.a. Jackie Sheeler, for publishing my poem, “Girls Night Out,” on her website. If you haven’t read the great New York Times article on Jackie’s poet laureate role, here it is: http://poetz.com/press/New%20York%20Times.htm. Scroll down poetz.com to find my poem.
http://poetz.com
New translation section
See the new translation section on my website and a translation of one of my favorite passages from Helene Sanguinetti’s second book, Hence, this cradle (Flammarion, 2003).
www.anncefola.com
More Helene in Mantis
Mantis 5, a journal out of Stanford, has published a selection from my translation of Helene’s first book, Left-hand Exploring (Flammarion, 1999). I like this journal “of poetry, criticism and translation”—especially the interview with poet Alfred Arteaga. I have to agree when he says
The sad fact is that I dislike almost all poetry that I read. Let me put it this way: I think that the vast majority of poetry I read is basically good, but it doesn’t really excite me. So as a result I end up not wanting to read the stuff, because I get disappointed.
www.mantisjournal.stanford.edu
Brattleboro Museum and Art Center
This museum knows how to do things right: Last month, it hosted a Community Day outdoor event replete with live jazz, BBQ, Thai food and homemade ice cream. The community could stroll inside to see the new exhibits for free. Artist Angela Virsinger and I took advantage of the celebration to see some amazing art (below).
www.brattleboromuseum.org
Wolf Kahn Retrospective
Wolf Kahn creates landscapes in vivid, unexpected pastels that simply arrest the viewer. “Landscape of Light, 1953-2006” touches each decade of his career—which began in the 50s in New York and then migrated north to Vermont vistas. I was astonished to turn a corner and discover a vibrant portrait of Frank O’Hara—all multicolor brushstrokes that communicate the poet’s nervous energy. That’s when I realized Wolf Kahn had been part of the New York School phenomena. Angela and I met Mr. Kahn who, with a head of white hair, now has a distinguished Robert Frost quality.
http://wolfkahnpastels.com/
Faith Ringgold Stories in Quilts and Colors
The author of children’s books such as Tar Beach, My Dream of Martin Luther King, and The Story of Rosa Parks that alone put Faith Ringgold in the American literary canon. She also silk-screens awesome quilts such as “The Sunflower Quilting Bee at Arles,” where Vincent Van Gogh approaches famous African-American women such as Sojourner Truth, Fanny Lou Hamer and Rosa Parks. Now that’s cross-cultural creativity! You have to love this woman for capturing African American history with such whimsy.
www.faithringgold.com
Secrets by Gloria Garfinkel
Don’t you hate “Don’t touch” signs in a museum? Gloria Garfinkel encourages viewers to open doors on her mixed media canvases—and discover two- and three-dimensional trinkets, sayings and bric-a-brac. The 10 canvases, whose secrets range from “Beauty” and “Religion” to “Vice,” invite reflection on disturbing events such as the Tuskegee Syphilis Study and the AIDS crisis in China. “The political and social content of her work does not overwhelm its poetry,” say curator Mara Williams.
http://www.paulsharpegallery.com/cgi/PSCAe.pl?exhi=2003Mar_review
Vermont photographer
While we’re focusing on Vermont, visit the website of Sue Mardirosian: Sue has an incredible range—from Ansel Adams-like forests to inventive manipulations of light.
www.wanderingemini.blogspot.com.
Book review
The Fifth Voice (Toadlily Press, 2006). The Toadlily editors once again have created a fabulous quartet of poetry chapbooks, with a gorgeous cover photo of autumn leaves floating in water. Out of the four poets, I loved Hart’s work—especially “Obon” and “I Go For A Walk with Frank O’Hara”. I also enjoyed the work of Ohio postman Allen Strous who explores his roots with “dark clarity.” That’s the beauty of a volume like this—you get to pick and choose your favorites.
www.toadlilypress.com
That’s all for now. Take advantage of these last summer weeks to take in some art or get some pleasure reading in.
Ann
www.anncefola.com
I’m thrilled to be reading September 7 at the U.N. Vision and Millennium Development Goals Speak Through The Arts program. With award-winning poets Terry Dugan, Kevin Pilkington and Linda Simone, the reading will celebrate themes of global partnership and respect.
http://www.lightmillennium.org/events/unngo_59_conference_poetry.html
Poetz.com
Thanks to the Poet Laureate of Rikers Island, a.k.a. Jackie Sheeler, for publishing my poem, “Girls Night Out,” on her website. If you haven’t read the great New York Times article on Jackie’s poet laureate role, here it is: http://poetz.com/press/New%20York%20Times.htm. Scroll down poetz.com to find my poem.
http://poetz.com
New translation section
See the new translation section on my website and a translation of one of my favorite passages from Helene Sanguinetti’s second book, Hence, this cradle (Flammarion, 2003).
www.anncefola.com
More Helene in Mantis
Mantis 5, a journal out of Stanford, has published a selection from my translation of Helene’s first book, Left-hand Exploring (Flammarion, 1999). I like this journal “of poetry, criticism and translation”—especially the interview with poet Alfred Arteaga. I have to agree when he says
The sad fact is that I dislike almost all poetry that I read. Let me put it this way: I think that the vast majority of poetry I read is basically good, but it doesn’t really excite me. So as a result I end up not wanting to read the stuff, because I get disappointed.
www.mantisjournal.stanford.edu
Brattleboro Museum and Art Center
This museum knows how to do things right: Last month, it hosted a Community Day outdoor event replete with live jazz, BBQ, Thai food and homemade ice cream. The community could stroll inside to see the new exhibits for free. Artist Angela Virsinger and I took advantage of the celebration to see some amazing art (below).
www.brattleboromuseum.org
Wolf Kahn Retrospective
Wolf Kahn creates landscapes in vivid, unexpected pastels that simply arrest the viewer. “Landscape of Light, 1953-2006” touches each decade of his career—which began in the 50s in New York and then migrated north to Vermont vistas. I was astonished to turn a corner and discover a vibrant portrait of Frank O’Hara—all multicolor brushstrokes that communicate the poet’s nervous energy. That’s when I realized Wolf Kahn had been part of the New York School phenomena. Angela and I met Mr. Kahn who, with a head of white hair, now has a distinguished Robert Frost quality.
http://wolfkahnpastels.com/
Faith Ringgold Stories in Quilts and Colors
The author of children’s books such as Tar Beach, My Dream of Martin Luther King, and The Story of Rosa Parks that alone put Faith Ringgold in the American literary canon. She also silk-screens awesome quilts such as “The Sunflower Quilting Bee at Arles,” where Vincent Van Gogh approaches famous African-American women such as Sojourner Truth, Fanny Lou Hamer and Rosa Parks. Now that’s cross-cultural creativity! You have to love this woman for capturing African American history with such whimsy.
www.faithringgold.com
Secrets by Gloria Garfinkel
Don’t you hate “Don’t touch” signs in a museum? Gloria Garfinkel encourages viewers to open doors on her mixed media canvases—and discover two- and three-dimensional trinkets, sayings and bric-a-brac. The 10 canvases, whose secrets range from “Beauty” and “Religion” to “Vice,” invite reflection on disturbing events such as the Tuskegee Syphilis Study and the AIDS crisis in China. “The political and social content of her work does not overwhelm its poetry,” say curator Mara Williams.
http://www.paulsharpegallery.com/cgi/PSCAe.pl?exhi=2003Mar_review
Vermont photographer
While we’re focusing on Vermont, visit the website of Sue Mardirosian: Sue has an incredible range—from Ansel Adams-like forests to inventive manipulations of light.
www.wanderingemini.blogspot.com.
Book review
The Fifth Voice (Toadlily Press, 2006). The Toadlily editors once again have created a fabulous quartet of poetry chapbooks, with a gorgeous cover photo of autumn leaves floating in water. Out of the four poets, I loved Hart’s work—especially “Obon” and “I Go For A Walk with Frank O’Hara”. I also enjoyed the work of Ohio postman Allen Strous who explores his roots with “dark clarity.” That’s the beauty of a volume like this—you get to pick and choose your favorites.
www.toadlilypress.com
That’s all for now. Take advantage of these last summer weeks to take in some art or get some pleasure reading in.
Ann
www.anncefola.com
Tuesday, July 11, 2006
your july annogram
Hello and welcome to annogram, my monthly poetry + arts e-newsletter. We have some new readers this month so I want to say a special welcome to you. If you or anyone else would like to stop receiving this newsletter, simply send me a note with the subject line, “No thanks Ann.”
Woo-hoo! Ann’s a Dancing Girl
Big news this month: Dancing Girl Press has accepted my chapbook manuscript, Sugaring, for publication this March. A chapbook is a small book of 20-30 poems. Many poets start their book publication this way. I am thrilled and thank everyone who has encouraged me on my poetry path.
www.dancinggirlpress.com
Hélène Sanguinetti in Octavo
Thanks to Octavo retiring editor Andrew Boobier for publishing a selection from Hélène Sanguinetti’s Left-hand Exploring. What makes Hélène’s work so special is the way she mixes genres, from poetry and dialogue to narrative and journaling. Octavo brings together all the journal entries. If you’d like a taste of her genius, check out Octavo.
http://www.alsopreview.com/octavo/
New Poet Laureate of Greenburgh
Greenburgh has one of the oldest and most esteemed poetry contests in our area—so it makes sense that the town should have a Poet Laureate. I am thrilled to announce that Brenda Connor-Bey will fill this role. Brenda, a much-loved poetry teacher, is the author of Thoughts of an Everyday Woman/An Unfinished Urban Folktale (Blind Beggar Press).
http://blindbeggarpress.org/PublicationListing.html
Deborah Coulter Works on Paper
Deborah Coulter’s charcoal drawings at the Bendheim Performing Arts Center in Scarsdale attain a wild three-dimensional, brush-like quality. They pull the eye in—almost suggesting something concrete and yet never truly yielding to any one idea. Deborah says she likes to “play with space” and that’s what these drawings do in a novel way. Take a look at the Lesley Heller Gallery and see what you think:
http://lesleyheller.com/drawings_dcoulter.html
The Drowsy Chaperone
This five-time Tony winner is a delightful send-up of the American musical—replete with sequined costumes, big sets, funny songs and tap-dancing. The Drowsy Chaperone combines humorous 21st century savvy with an affectionate look back when theater seemed bigger than life. My husband, Michael, and I also enjoyed meeting Kecia Lewis-Evans who plays Trixie the Aviatrix—a stellar singer with an amazing resume of theater credits.
http://drowsychaperone.com
The Al Gore Film
While cruising Central Ave for a movie, my friends and I pulled into the Scarsdale Fine Arts to see “An Inconvenient Truth.” We had no idea it was the Al Gore film. The newspaper ad featured penguins, and the movie poster left us clueless. Standing on line, we figured out what it was. I have to recommend everyone see this film. Our former president elect is thoughtful, passionate and convincing on the topic of global warming. The movie mixes his worldwide lectures with reflections on his personal life.
http://climatecrisis.net
Book reviews
Mikhail, Dunya. The War Works Hard (New Directions, 2005). What is it like to be an average citizen living in Iraq? The thought is almost too much to bear. Dunya Mikhail, an Iraqi poet who has sought asylum in the U.S., shares her experience of life under Sadaam and in her war-torn home in forceful and original poems. Her title poem comments:
The war continues working, day and night.
It inspires tyrantsto deliver long speeches,
awards medals to generals
and themes to poets.
Dealing with the theme of separated lovers, she writes in “Non-Military Statements”:
I dream of a magic wand
that changes my kisses to stars.
At night you can gaze at them
and know they are innumerable.
If you care to learn what war does to people, then you need to read this book.
Toomer, Jean. Cane (WW Norton, 1988). Thanks to Brenda Connor-Bey for giving me this book. Jean Toomer (1894-1967), an extraordinary writer, combines poetry and hymns in wrenching short stories about African Americans struggling to find dignity and community in the early 20th century. His lyrical language and concern for the outcast reminds me of Let Us Now Praise Famous Men by James Agee (1909-1959). Toomer achieves what great literature can often do—let the contemporary reader experience the human heart in another time.
Weinberger, Eliot, ed. The World Beat (New Directions, 2006). Translator Eliot Weinberger has assembled the best of New Directions’ world poets in this volume—poets ranging from Anne Carson to Bei Dao. What struck me the most was the first poem by Octavio Paz, “Response and Reconciliation”, never published until now. The poem echoes Eliot’s Four Quartets in its meditative focus on “time maker of roses and plutonium.”
Wishing you thoughtful and fulfilling summer reading,
Ann
www.anncefola.com
Woo-hoo! Ann’s a Dancing Girl
Big news this month: Dancing Girl Press has accepted my chapbook manuscript, Sugaring, for publication this March. A chapbook is a small book of 20-30 poems. Many poets start their book publication this way. I am thrilled and thank everyone who has encouraged me on my poetry path.
www.dancinggirlpress.com
Hélène Sanguinetti in Octavo
Thanks to Octavo retiring editor Andrew Boobier for publishing a selection from Hélène Sanguinetti’s Left-hand Exploring. What makes Hélène’s work so special is the way she mixes genres, from poetry and dialogue to narrative and journaling. Octavo brings together all the journal entries. If you’d like a taste of her genius, check out Octavo.
http://www.alsopreview.com/octavo/
New Poet Laureate of Greenburgh
Greenburgh has one of the oldest and most esteemed poetry contests in our area—so it makes sense that the town should have a Poet Laureate. I am thrilled to announce that Brenda Connor-Bey will fill this role. Brenda, a much-loved poetry teacher, is the author of Thoughts of an Everyday Woman/An Unfinished Urban Folktale (Blind Beggar Press).
http://blindbeggarpress.org/PublicationListing.html
Deborah Coulter Works on Paper
Deborah Coulter’s charcoal drawings at the Bendheim Performing Arts Center in Scarsdale attain a wild three-dimensional, brush-like quality. They pull the eye in—almost suggesting something concrete and yet never truly yielding to any one idea. Deborah says she likes to “play with space” and that’s what these drawings do in a novel way. Take a look at the Lesley Heller Gallery and see what you think:
http://lesleyheller.com/drawings_dcoulter.html
The Drowsy Chaperone
This five-time Tony winner is a delightful send-up of the American musical—replete with sequined costumes, big sets, funny songs and tap-dancing. The Drowsy Chaperone combines humorous 21st century savvy with an affectionate look back when theater seemed bigger than life. My husband, Michael, and I also enjoyed meeting Kecia Lewis-Evans who plays Trixie the Aviatrix—a stellar singer with an amazing resume of theater credits.
http://drowsychaperone.com
The Al Gore Film
While cruising Central Ave for a movie, my friends and I pulled into the Scarsdale Fine Arts to see “An Inconvenient Truth.” We had no idea it was the Al Gore film. The newspaper ad featured penguins, and the movie poster left us clueless. Standing on line, we figured out what it was. I have to recommend everyone see this film. Our former president elect is thoughtful, passionate and convincing on the topic of global warming. The movie mixes his worldwide lectures with reflections on his personal life.
http://climatecrisis.net
Book reviews
Mikhail, Dunya. The War Works Hard (New Directions, 2005). What is it like to be an average citizen living in Iraq? The thought is almost too much to bear. Dunya Mikhail, an Iraqi poet who has sought asylum in the U.S., shares her experience of life under Sadaam and in her war-torn home in forceful and original poems. Her title poem comments:
The war continues working, day and night.
It inspires tyrantsto deliver long speeches,
awards medals to generals
and themes to poets.
Dealing with the theme of separated lovers, she writes in “Non-Military Statements”:
I dream of a magic wand
that changes my kisses to stars.
At night you can gaze at them
and know they are innumerable.
If you care to learn what war does to people, then you need to read this book.
Toomer, Jean. Cane (WW Norton, 1988). Thanks to Brenda Connor-Bey for giving me this book. Jean Toomer (1894-1967), an extraordinary writer, combines poetry and hymns in wrenching short stories about African Americans struggling to find dignity and community in the early 20th century. His lyrical language and concern for the outcast reminds me of Let Us Now Praise Famous Men by James Agee (1909-1959). Toomer achieves what great literature can often do—let the contemporary reader experience the human heart in another time.
Weinberger, Eliot, ed. The World Beat (New Directions, 2006). Translator Eliot Weinberger has assembled the best of New Directions’ world poets in this volume—poets ranging from Anne Carson to Bei Dao. What struck me the most was the first poem by Octavio Paz, “Response and Reconciliation”, never published until now. The poem echoes Eliot’s Four Quartets in its meditative focus on “time maker of roses and plutonium.”
Wishing you thoughtful and fulfilling summer reading,
Ann
www.anncefola.com
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